RePPiN4U: PRESERVE THE CULTURE!

B.D.S.I.R. Network: The Best Damn Show In Wild1 Radio & International Underground Hip Hop & Rap Connection presents a special edition of RePPiN4U HIP HOP SHOW!

RePPiN4U Preserve The Culture

Presented by Grant Body-P! & DJ Miss C Brown! US Hip Hop artists Uniqme flew over to the UK to celebrate the 25th Anniversary of his EP – Da Hoodzmen, featuring Starrlight from the Netherlands, Askem, Shakezpeare, Kemetstry, Elizmi Haze, Loaneski, Alex-Is, Ayy, Tarju, Big Beasy, Birthm4rk, Krystatic, Kupid The King!

Group pic

PHOTO COURTESY OF SOUL TRADER PHOTOGRAPHY

As aired on Wild1 Radio but with extra exclusive footage!

Filmed at The Chip Shop in Brixton and BeatsABar Music project in Wolverhampton

RePPiN4U HIP HOP SHOW: Every Tuesday 11pm UK – 12mdnt HOL -6pm EST – 3pm LA on http://www.wild1radio.com

ENCORE PRESENTATION EVERY WEDNESDAY on BDSIR NETWORK blogtalkradio.com/thagameV1 8pm EST – 1am UK

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ARTISTS – send submissions to mikedogg36@gmail.com – NO TRAP – NO MUMBLE RAP

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PLAYLIST (as it appears on mixcloud)

Presented by GRANT BODY-P! & DJ MISS C BROWN!

1. DJ MISS C BROWN – RePPiN4U Intro
2. INTERVIEW WITH UNIQME PART 1
3. UNIQME/CANIBUS/K-SOLO/PAPOOSE/KOOL G RAP – Iron Bars
4. INTERVIEW WITH UNIQME PART 2
5. UNIQME F/ KALI RANKS/STARRLIGHT – Empire (Remix)
6. INTERVIEW WITH KRYSTATIC/KEMETSTRY/BIG BEASY
7. BIG BEASY – Unstoppable
8. KEMETSTRY – So Real
9. KRYSTATIC – New Planet
10. INTERVIEW WITH LOANESKI/STARRLIGHT/ALEX-IS/KUPID THE KING
11. KUPID THE KING – Letter To My X
12. LOANESKI – Paisa
13. ALEX-IS F/ NEPHILIM – Make A Wish
14. PRESERVE THE CULTURE CYPHER (Sneak Preview)
15. CLOSING

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PRIMAL WINDS – Cut You Down

RELEASE DATE: MAY 26, 2018 – REVIEW BY MICHAEL GRANT, C.E.O. of RePPiN4U/UK REP FOR WU WORLDWIDE DJ COALITION

DISCLAIMER: The following content in this album does not necessarily reflect the views of Primal Winds… B.U.T… THEY UNDERSTAND!

CYD CoverCome on now we are all intelligent Hip Hop Heads here! If anyone here really thinks that Primordial Emcee and Iron Wind really walk the streets of Toronto swinging Samurai Swords or organizing shoot outs in the wild wild west… then you’re reading the wrong blog! Go over there and walk it like you talk it!

What Primal Winds take pride in, is emphasizing on their album concepts, and the result is a solid piece of work. They hope to keep the consistency going on their latest offering, taking it to the Wild Wild West. 16 tracks of the Spaghetti Western style fused with Hip Hop, further proving how versatile and adaptable this art-form truly is.

The album kicks off with the title track of the same name, the duo pay homage to Johnny Cash with their rendition. Unless your music taste is eclectic, you may not appreciate the direction these guys are going in as this track sets the tone of the album. Luckily for wrestling fans like myself, we will instantly recognize it from the latest promos from WWE superstar – The Undertaker who has taken a ‘Johnny Cash’ like approach to his character now.

Imagine, a Hip Hop house party in the Wild Wild West… apparently it’s a ‘Bush Party’ at the trailer park… it’s going to be interesting what visuals Primal Winds will do going forward.

Dead To Rights is a sure-fire album highlight. Only three tracks in, and the listener starts taking notice of the female vocalist appearing in the hook. She goes by the name of Alexa Ourania whose Instagram has some quite interesting images to say the least…

The only drawback being… that track ends a bit too quickly, but already, like the next skit says, this album starts to grip your ears and pull tight with the next banger ‘Hang Em High’. The homages continue in ‘Fistfull of Dollars’, where Primoridal claims to take heads of the wack rappers who run their mouth telling lie to the people on wax, otherwise they’d feel the wrath of a ‘Rattlesnake’ like Stone Cold Steve Austin.

‘Buckle Bunnies’ is a certified infectious banger with the subject matter directed at the

Alexa Ourania

ALEXA OURANIA

cowgirls, once again Alexa Ourania steps in playing that role, and rightfully so. This is the part where I suggest to the Primal Winds that this should be a future video, with Alexa in it…cowgirl gear and all…

WWE should seriously consider using the next track as some sort of future promo for The Undertaker…best do it now while Undertaker is still active. Entitled ‘Tombstone’, the gunslinging pair are prepared to take this rap game to the end. Talking of gunslingers…

This is the latest lyric video featuring Madchild. Let’s keep in mind right at the beginning of this review, that Primal Winds do not necessarily promote gun violence, rather this is lyrics, over backdrops that fire like guns blazing on the set of Back to The Future in 1885.

The homage doesn’t stop there with The Good, The Bad, & The Ugly , which is closer to the concept than Consequence’s offering back in 2004, which was in itself a fantastic display of wordplay, but this doesn’t compare to the album’s arguably #1 highlight…

‘War Cry’ takes sonics most recognized from Quentin Tarantino’s Kill Bill and looped into epic fashion, and maybe, just maybe, if the album ended here, it would have been in a blaze of glory. But the duo felt confident they can go another five rounds, surviving a ‘Mexican Stand Off’, and celebrating in a ‘RoadHouse’… again, these are hot tracks, but the album is struggling to follow ‘War Cry’.

At this point the album is suffering from the ‘Stillmatic’ effect… by that I mean the album could have ended at Track 10/11, and any track that followed sound more like bonus tracks due to the track sequencing. But we always welcome back Alexa… she is the ‘Smokin Ace’ up their sleeve so to speak… great recovery!

‘Cowboy Up’ might be the most rock sounding, mosh pit infused track on the album, but these few tracks only prepared us for the album’s true ending – ‘Rising’… which pretty much silences any criticisms, albeit minor, found within the project.

Nit-picking aside, Primal Winds are truly becoming masters of their creativity, to take a different subject matter and make a body of work out of it, and at the same time keeping it true to them. If you ever wondered what Hip Hop would have been like in 1885, this is a true embodiment of that.

 

 

 

SHAKEZPEARE – Troubled

RELEASE: APRIL 20, 2018 NEW GOLDEN ERA/LIMITLESS VISION

REVIEW BY MICHAEL GRANT, C.E.O. of RePPiN4U/INTERNATIONAL REP for WU-WORLDWIDE DJ COALITION

1994: If there was one aspect I hated with a passion at school, it was studying Shakespeare, particularly that Romeo & Juliet. That story used to get on my last nerves. Two people from rival families fall in love with each other and then end up killing themselves…Give me a break. I used to roll my eyes over that all day. That gave me a ‘troubled’ mindset and wound up the English teacher.

1997: Wu-Tang Forever is released. As stated elsewhere in this blogsite, one of my highlights from that was ‘A Better Tomorrow’ imagine my horror when I discovered 4th Front Cover -Troubled - ShakezpeareDisciple used the sample from that same Shakespeare classic I hate.

Fast forward some 20 odd years later, I come across an artist by the name of ‘Shakezpeare’, introduced to me by our radio cousins FATP HIP HOP SHOW UK, this guy is all about the poetry, and not necessarily in the way William himself would have liked. Don’t call him ‘Trouble’, he’s already TROUBLED, as his latest album suggests (shout out to Method Man, heads will know what I did there), this album takes to a more deeper, almost twisted side to the persona, whether intentional or not. RePPiN4U was blessed to receive an advanced copy of this, and we are about to tell you what you can expect. One thing is guaranteed – more BARS OVER BULLSH!T, with the troubled one himself going in for dolo handling all the production going under the alias ‘TSS BEATS’.

It starts off with ‘Who Am I’, which sees Shakezpeare seemingly re-introducing himself to the world who may not know him too well, it just seems so ironic how I used Wu-Tang’s A Better Tomorrow track from Wu-Tang Forever for this review because their hook states “You can’t party your life away, drink your life away………………….because your seeds grow up the same way”, and the evidence shows when Shakespeare mentions his daughter and how she is just like him. He also knows the value of being blessed as he walks through the ‘Shadows Of’…

“If the milk turns out to be sour, I ain’t the kind of pussy to drink it, you nah’mean?”

My suspicions say that is an altered, distorted voice cameo from FATP’s PC The Producer akin to Raekwon in Supreme Clientele’s ‘Clyde Smith’, but I cannot prove it…not yet. ‘Sour Milk’ is a sure-fire album highlight. Three tracks in, and the album has maintained a haunting, deliberate pace, and it has no intention of stopping. In ‘Misguided’, Shakezpeare does not mince his words with his blunt delivery: “Getting sick of false idols, faking the game/pink dreads and lipstick/battyman strange!”

shakezpeare troubled

‘Trouble’ is the first single from this project. Naturally this is the recurring theme throughout, no matter how much Shakezpeare wants to escape, so rather than that, he’s always staying sharp and ahead from backstabbers and will face them head on. Meanwhile, ‘Certy’ sounds like it has the Mobb Deep influence all throughout its sonic production, not to mention it has the stamp of approval from Havoc himself. It’s at this point Shakezpeare decides to turn up the intensity with ‘Looking Glass’, where he sees himself with his ‘inner Blanka’ just begging to be unleashed on the world.

The penultimate skit has a jewel spoken by Dr Malachi Z.York over a SAW theme. It sets the tone for the album’s last track ‘Nah’, where he puts himself on another playing field when it comes to being gutter.

Back Cover - Troubled - Shakezpeare

NOT THAT GUY

Conveniently dropping on 4/20, this project is definitely one for the smokers who can zone out and really feel the intensity here and relate to a troubled mind… that is until the final track where at the end of the journey, Shakezpeare kicks you out of his mind and proclaims you are NOT like him, and the likelihood is – he’s right. The album hits like a shaolin buddah finger (soft strikes but can easily kill when struck at the right power point.) The timing is right as well as he will be performing tracks from this album at the Killah Priest show which is days later (at time of this publish). Even if you are ‘straight edge’ like myself, this is an album you can channel your emotions into.

 

 

 

 

 

 

KEMETSTRY A.K.A. SPIDA LEE – Spirit Vs Ego Freestyle

ARTICLE BY MICHAEL GRANT, C.E.O. of RePPiN4U & International rep for Wu Worldwide DJ Coalition

KemetstrySometimes, classics should be left alone. They are classic for a reason. Not only is it an unwritten rule in film, but the same applies in Hip Hop, unless you are a special kind of talent who can pull it off. Such is the case for Huddersfield MC – Spida Lee, who has taken on a new alias – Kemetstry, and along with it – a new clothing line.

Thankfully this man has a knack of dropping powerful freestyles over classic tracks, and this time it’s the turn of Dr. Dre’s 2001 cut – Ackrite featuring Hittman. King Of Da Hillz TV (KODHTV) invited him on to show us the struggle and comparison between ‘Spirit Vs Ego’, combining conscious mindset with Jamaican humour. Check the video below after the jump…

Firing off the starting blocks with “Spirit Vs My Ego/tryna be Professor X with thoughts of Magneto/you clown fish rappers gonna find you like Nemo/Gangsta like Premo/Like George Bush taking Twin Towers to Ground Zero..” Kemestry goes in, and warns the ignorant ‘never mention banana boat again!’

In an era where people are more aware of logos, symbols, and their meanings, whereas others think they are ‘woke’, Kemetstry breaks down the meaning of his logo in the video below.

 

“REAL KINGS DON’T DIE, CAUSE YOUR SPIRIT LIVES ON…”

If you like what you hear, you can download the freestyle for free on soundcloud. You can also check out the rest of his catalogue on bandcamp, and you can also purchase the Kemetstry gear at his official website.

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SKYZOO: In Celebration Of Us

RELEASED: FEBRUARY 2, 2018 – First Generation Rich/EMPIRE

REVIEW BY MICHAEL GRANT@ C.E.O. of RePPiN4U & International Rep for Wu Worldwide DJ Coalition

“Similar habits, get it on the strength, and I got her eating donuts every February 10th – I’m #AllAboutThat..” – (Skyzoo, #AllAboutThat, 2011)

Let’s be real – February is a month of CELEBRATION. Some of us wanna act all ‘pro black’ on social media and rattle on about how Valentines, Thanksgiving, Christmas etc are pagan holidays but there we are hoping to be showered with gifts, getting our teeth into that succulent turkey, or how we talk about February being ‘Black History Month’ but we should celebrate all year round’ but there we are again dressing up in African garments and the like just to watch a superhero film… down to J Dilla (and Baatin) February has Skyzoo Celebrationmore Dilla social media posts than any other time in the year…Skyzoo is aware of this, and so he’s decided to take full advantage. He was born Gregory Skylar Taylor December 24, 1982, he has paid homage to Dilla in previous joints, Spike Lee is his hero, and so he just wants to celebrate black love and community, not just that but more specifically – himself and his parents in this latest album – IN CELEBRATION OF US – which dropped in FEBRUARY.

When the album starts you quickly realise that the year is 1982 two guys in the conversation are Skyzoo’s (soon to be) father and his friend and how Pops plans to raise his unborn son away from the world he’s been exposed to which is great looking out.

Skyzoo’s lyrical prowess wastes no time in ‘Everybody’s Fine’ over a jazzy backdrop which is a theme which re-occurs throughout the project, and basically that’s what the album ‘Sounds Like’. But here – your head is viciously nodding uncontrollably. This is going to be an instant favourite among boom bap fans and more importantly – concert ready.

This flows relentlessly into the album’s lead single ‘Baker’s Dozen’ featuring The Love King himself – Raheem DeVaughn, which is basically D’Angelo’s Devil’s Pie brought into 2108 and updated. This shuts down critics about Apollo Brown’s production as this is a complete departure from the grainy vinyl soul sound we know and expect from him. In a period where we have gone crazy over the visual presentation of black superheroes, it’s great to see Sky use a clever line  – “Black lives in black 5s, the frame boxing out, 
I’m Luke Caging but more related to Cottonmouth…” Personally – I will always prefer Sky & Raheem’s Dream Deferred outing ‘Drew & Derwin’ which should have blown up on many levels. On the off-chance Sky & Raheem see this, I sincerely hope they still give that track the visual treatment.

An instant album highlight, ‘Crown Holder’, as soon as you hear the sample. !llmind slows down the 1989 Soho Jazz hit while Sky’s head gets a little respectfully big “You can call this my new sh!t, but it ain’t new tho, I done helped raise a couple stars that you know, Know the fans I be attracting is ’bout a loophole, he isn’t lying, through him I discovered the likes of Torae & Rapsody… and oh yeah – that sultry Heather Victoria chick…

Sky continues to play the lyrical show off in ‘Heirlooms & Accessories,’ when halfway through the track, the beat switches and so does his flow and he does it without flinching. Not just that, when the beat was done, Sky wasn’t done! He can go ‘Forever in a Day’ if he wanted to.

kaycola

KAY COLA

The spoken word interlude has Sky turning his attention to the women… or rather, the woman has turned her attention to him. ‘The Purpose’ of it, is to bring out more of the Lucid Dream Queen herself – Kay Cola, another gifted soul artist who features on the track.

In every 4 bars Skyzoo breaks down the definition of the word ‘Love’ and it’s metaphors in this no-hook wordplay assault, and the album’s February celebration theme re-occurs… “Or love me like a purchase on 47th and 6th, And the Russian jeweler knock off $100 off what you pick, 
In the middle of February your sleeves up off your wrist, And you add another $100 when discussing what you spent…” 

The last few bars in ‘Black Sambo’ is the unfortunate reality of our young black youth who could become victims of the racist police brutality and even through live social media Saba abrahaseen by millions (because that sort of thing goes viral quick) there’s still no justice.

Allow for ‘Parks & Recreation’ to zone you out with Saba Abraha providing the chorus, once again Skyzoo referring to his earlier track where he continues to raise new stars. It becomes evident at this point that when it comes to guest appearances for this project, he’s calling on NO MC. He’s going in alone, thus defeating the myth of ‘new album! What’s the line up like?’ The zone out continues in ‘Collateral’ featuring Jake&Papa, and right off the bat makes a snappy Wu-Tang reference “Can It Be All So Simple, Corey & Dennis?” Later you hear what appears to be a Caucasian voice use the ‘List of Jericho’ to state everything black people like… zone out session isn’t over in ‘The Stick Up Tape From Menace’… no prizes for guessing which classic film that is a reference from. Zone out session ends with ‘Hoodie SZN’…the lyrical content in this album will have hip hop fiends deciphering those lyrics for a good while yet.

The album closes out with one of the most epic tracks ever heard since arguably Jay-Z’s American Gangster in ‘Honor Amongst Thieves’, and here Sky has his most ‘4:44’ moment, by that I mean when he talks about his upbringing and personal life in such a vivid picture to the shocking conclusion of what happened at the neighborhood school and why his parents never wanted him there. Sky told us from the jump that this would be his most complex and focused work to date.

Skyzoo has come a long way from being a 9th Wonder protegé to becoming that hip hop superstar he is today and retaining all the credibility he had which a lot of artists would have sacrificed in less than half of that tenure, and the reason this is his most personal work because now Skylar himself is about to be a father and now the cycle starts again.

This IS a celebration. Raise your glasses, Skyzoo has done it again. Best album perhaps since arguably The Salvation…

LOANESKI: LONE WOLF

RELEASED: OCTOBER 29, 2017, Abeo Music, Adam Lewis Mixing, DJ RadioHead Beats, Flowfullsoundz and G.Lewis – REVIEW BY MICHAEL GRANT, C.EO. of RePPiN4U & INTERNATIONAL REP for WU WORLDWIDE DJ COALITION

“…six years after working with them (Bizznezz Fam) everybody went their separate ways and I thought – you know what? I wanna carry on…” (Loaneski, Shebangs Interview, 2016)

Lone wolf epThat interview right there tells you that if you looked in the dictionary and looked up the meaning of the word ‘passion’, there would be a picture of Loaneski waving at you right next to it. This is a guy who started writing at 8 years old, took it seriously in his teenage years, overcame religious beliefs whilst pursuing his music career, and has taken a step further in giving back and teaching while he was still a student of the music game himself, literally at De Montfort University.

The Lone Wolf EP finally dropped last year in which Loaneski promises more of his conscious mind but also introducing a bit more cockiness which his close people know him for in just 4 tracks.

The EP kicks off with the ‘Predator’, with a very familiar beat every hip hop head should know. Here Loaneski further backs up the claim I stated earlier about adversity: “You can’t stop me/like Makoveli/it’s gonna take more than five shots to drop me…”

Then in ‘Paisa’, Loaneski truly goes into conscious mode on how money is manipulating us in  so many ways and conforming to the pagan lifestyle. The subject matter spills into ‘British Yout’, which is a powerful message to our youth that they haven’t got to go the route of a ‘roadman’, so to speak, and not act so ignorant fighting over foolishness.

 

The EP closes out with its title and the persona Loaneski has adapted, with a jazzy backdrop. Here he tells you how he cares not for materialistic things, and how the term ‘freedom of speech’ is so hypocritical. He also goes into little more detail of why he

Loaneski Havoc

PHOTO COURTESY OF LOANESKI

became the Lone Wolf, maybe referring to the ‘break up’ of ‘Bizznezz Fam’, or perhaps a double meaning.

With only four tracks, an EP before that entitled ‘Black Thoughts’, only shows that Loaneski is just getting started, and already 2018 is promising to be a mammoth year for him. This is quality lyrics with crisp production. Loaneski was told that he’s better suited to Hip Hop as opposed to grime… whoever told him that was telling the truth. It’s good that he mentions Mobb Deep in this project, the endorsement from Havoc alone should be enough to entice you into checking this out.

Loaneski cover photo

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MASTA KILLA: Loyalty Is Royalty

RELEASED: September 29, 2017, Nature Sounds, Review written by Michael Grant, C.E.O. of RePPiN4U & International Rep of Wu Worldwide DJ Coalition

Masta Killa is a man of the people. More specifically, the Wu-Tang fans. He’s that dude that may not come when you call but he’s always on time. He knows what the fans want, and for three albums straight, he has delivered. Fans knew of this album for a good few years now, they expected it to drop in 2012, but instead Masta Killa ‘seemingly changed Masta-Killa-Loyalty-Is-Royaltyjpegthe title of the album to ‘Selling My Soul’ which was a great project drenched with soulful vibes. The title track ‘Loyalty Is Royalty’ would eventually appear on 9th Wonder’s own project and brought HaLo into the mix, which led to the joint project – ‘Mansa Musa’ which dropped in 2014. This was a nice stop-gap to the true destination which is this album right here. Just like the latest projects from Prodigal Sunn, Rez SPS Kings and the Clan themselves, this album couldn’t have come at a better time.

Ming-Hsueh Lin provides the album’s intro, which is a calm but deadly melody, those traits are often used to describe the clan’s laid back but machete wielding member, before diving into a good ol’ boom bap banger ‘Return Of Thee Masta Kill’ with Cappadonna & Young Dudas. Now here’s a guy who has the word ‘Young’ before his name and is a dope MC. So heads take notes, just because somebody has ‘Young’ or ‘Lil’ before their name does not necessarily mean they are wack!

Moving into the album’s title track as mentioned earlier, was brought into existence five years ago, but still sounds as fresh as ever. This is the original version without HaLo, and sees Masta Killa refer to Loyalty as his woman so the track can be taken as a double meaning.

In ‘Therapy’, Masta & Method Man feel the same way as we do as regards to being around this music, and Redman has really molded in well with the clan. 10 years ago, I would laugh at people who said Redman was an official member… I cannot give the same kind of response now.

One thing that is admirable about Masta Killa (and the rest of the clan for that matter) is that these guys are headed for their 50s, and yet, they always have high praise for the Older Gods. Respecting their elders is a powerful trait which must be upheld, such as what this Dame Grease produced single suggests.

RZA chimes in to break down the meaning of Loyalty is Royalty. Let’s hope Phonte of Little Brother doesn’t hear this interlude, as his imitation of RZA in ‘The Story of US’ parody project was one of the most hilarious things ever recorded.

Consider the next track as what I like to call a ‘counteraction’ of Shyheim’s track of the Masta Killa Loyalty Is Royalty2same name. 9th Wonder flips the track ‘Trouble’ slows it down to match the pace of the 9th member of the bunch’s flow.

Masta Killa’s Skit is cruel. It feels so good to have True Master behind the boards, but with it being a minute long, it leaves you begging for more verses. It’s like being on a cooking show or wine tasting show and you can only have one bite.

This is such an album highlight, another Wu Camp Clik or Camp Wu Banga, Sean Price & Masta Killa connect on a 9th Wonder scorcher in ‘Down with Me’. Fans can now practically take these collaborations and create their own playlist on iTunes. Wu-Tang and Boot Camp need to stop the teasing and create that crossover album. Failing that, I sincerely hope Masta Killa convinces Ghostface Killah – ‘executive producer’ of the next Wu album to get 9th Wonder on the production team.

The next track is begging for the visual treatment… Tiger & The Mantice featuring GZA & Inspectah Deck sees producer Blocade tapping into the Wu-Tang sound. When these three get together on a track it is just pure magic. Wu-Massacre 2 anyone? YES PLEASE!

You want more gunplay? Masta Killa will be more than happy to oblige. This time featuring Prodigy & KXNG Crooked in ‘Real People’. Prodigy shows once again why he was far from ready to return to the essence and KXNG Crooked is an unlikely feature to say the least but it works.

If the previous three albums from Masta Killa has taught us anything, is that he will go outside the box and surprise you. ‘Flex With Me’ featuring Chanel Sosa  samples from the classic Scarface movie and flips Mad Cobra’s ‘Flex’ and this goes down really well. With

Chanel Sosa Good Lovin

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this and ‘Lovely Lady’ from made In Brooklyn, it makes me want to pick Masta Killa’s brains as far as his love for reggae dancehall. Where this was a hit, the next track is a miss. ‘Calculated’ should be called ‘Mis-Calculated’ because this is Masta Killa’s attempt of making a club track with that ‘trap feel to it’ and it just doesn’t work. It also goes on a bit too long as well. At least there is no mumbling. Oh wait… there’s the hook… I stand corrected.

However The High Chief Jamel Irief makes up for that and goes deeper into his Wu Gambino alias – Noodles in a two-part story, the first part produced by !llmind and the second part produced by Masta Killa himself which sees a smooth, moonlight backdrop. With a nice applause at the end, the album ends with a somber piano tone by Ming-Hsueh Lin.

From this point forward, call Masta Killa Mr 2nd Most Consistent member of the clan. (Next to Ghostface Killah). Even with that ‘Calculated mis-step’, it’s understandable that veterans would want to jump on a beat like that to attract newer audiences and show them how it’s done. The most glaring difference between this and it’s predecessors are the album’s producers and features. This time around it seems more star-studded and not just Wu appearances. Masta Killa should find his crown and fix it on his head because it is rightfully deserved.