SEAN PRICE: Imperius Rex

RELEASE: AUGUST 8, 2017, DUCK DOWN RECORDS

PHYSICAL RELEASE (According to Amazon.co.uk) AUGUST 25, 2017

REVIEW BY MICHAEL GRANT: CEO of RePPiN4U & Member of GGO/WuWorldwide DJ Coalition

“You ain’t gotta wait til I’m gone… you should have built the ‘Pac statue when he was here to see it!” (Busta Rhymes, 2011)

Busta Rhymes is RIGHT. We as a society do it all too often, take things for granted while it is still here, and as soon as it’s gone, everything changes. But let’s be real, on August 8, 2015, NO ONE was prepared for the tragedy that would strike Hip Hop.

Imperius Rex Cover 3000x3000Sean Price wasn’t a man who had a record of major health issues like say Prodigy with Sickle Cell or Dilla with Lupus. He wasn’t a man we had to keep tabs on. He was a man who despite being loved by his fans from his Heltah Skeltah days all the way to Mic Tyson, he wanted to be acknowledged as just a regular guy who liked to make people laugh, and particularly in his solo career he brought out this mean, Bernie Mac style delivery in his rhymes.

Two years later, Price’s family and Duckdown Records unleash what is believed to be his final album: Imperius Rex, and going by the track listing, think of it as Notorious B.I.G.’s Born Again LP… done properly. Again let’s be real, when Born Again dropped, the tracks on it were a bit hit and miss. Everyone remembers B.I.G.s first two albums. Even now, if you asked the casual fan, they wouldn’t have realised that Faith Evans recently dropped a project called ‘The King & I’, which is a collaboration of tracks performed by her and B.I.G.

APE DON’T KILL APE – P!!

If only Sean did the soundtrack to the Planet of the Apes film, how wonderful would that be? We are not trying to hear what he and wife Bernadette do in the bedroom – we want to hear that out-of-order and bright delivery he is renowned for on the album’s title track produced by Alchemist! He’s not Martin Luther, he’s the man who punches through school buses!

The album’s second video – ‘Dead or Alive’ boasts that Wu-Tang Production in 4th Disciple and features his wife in the hook. Who would have thought she was nice on the mic like that? At the same time, why do we act surprised? This track goes hard. If your face isn’t screwed up at this point, ready to kick down racists, stop reading this review now. This album is not for you!

P! continues his ‘Shawn Carter is nice but Sean Price is the best’ bravado on ‘Definition of a God’. Here P! proves his point way ahead of his time – 4:44 is a nice album but it’s been under debate and controversy since it dropped, and maybe the album achieved it’s purpose, but only three tracks in and the impact of Imperius Rex has already hit home faster than Jay making it back from ‘Becky’s house.

Many would believe that Sean was indeed a ‘Ape in his Apex’ at time of his passing. Over a MF DOOM sounding beat, actually produced by Crummie Beats, Ruste Juxx would concur, to the point where he believes he laid down one of his best verses in his career here, even playfully reveal P! as his ghostwriter.

‘Apartheid’ sees hints of reggae roots seep through and Buckshot defining what Hip Hop heaven is: “If Ruck don’t like you, Buck don’t like you/Ruck down, buck down, what a n!&&@ might do/Black moonwalk on ’em, rest in peace to Michael
R.I.P. Phife from Tribe, he in the light too/Hip-hop heaven, you see seven, that’s the god
All praises due to Allah, sun, moon, star…”

This along with ‘Lord Have Mercy’ may or may not show examples of unfinished tracks which P! started and Rim P & Vic Spencer finished, such as the ‘Born Again’ theory suggests.

‘Negus’ sees Hip Hop’s favourite supervillians combine their force and form a deadly alliance: Imperius Rex & MF DOOM featuring Ike Eyes. This is also appears on Adult Swim’s the Missing Notebook Rhymes in which DOOM releases a new track every Monday (At time of this review).

What hurts fake thugs/road man worse than being punched through pizza shop windows? Taking a knife to their Nike air bubble, as Sean demonstrates in Church Bells featuring Junior Reid. And Sean is right – I have seen such guys over the years enter Foot Locker and cause an argument with the staff because they want a refund from their Nike TNs after they splashed in the puddle wearing them after a day.

RUCKUS IN A P MINOR

This is an album highlight and a half, and on an even bigger scale because of Prodigy. Only Styles P can tell this story of how it came about. The 3 Lyrical Ps is Hip Hop History. Hard hitting lyrics over  haunting deliberate sonics. This is sure-fire on every DJ’s best of 2017 playlist when the year is said and done.

Imperius Rex tracklist

NOT97 is a crazy parody of how Funk Flex and Hot 97 acts, and well deserved, because Flex’s comments about 2Pac as of late has not made him a likeable man. It also painfully reminds us that we may never see visual sketches that P! likes to do every now and then going forward. That aspect of him specifically will be sorely missed.

Omarion’s Ice Box has nothing on Refrigerator P! Yes he jumped on the remix of Girl with Destiny’s Child, he has shown ‘love’ on Heartburn and ‘I Love You B!tch’, but that’s the closest you are gonna get to P! going full-blown R&B: “Never catch P on the girl song
I smack sh!t out your “We Are the World” song/Get a hater scary
My defense intense Refrigerator Perry!”

Freeway admits he is a ‘Prisoner’ to this rap, but he and Sean are out to ‘Bea Smith’ the game over a Marco Polo beat. Then in ‘Resident Evil’,  P! comes with lyrics that would make Capcom proud and even Eminem drop his jaw: “Rape an atheist ’til the bitch say, “our father”/Hail Mary/Brenda Had a Baby
Threw the baby out the window, now Brenda is going crazy”!

If that was any other artist, for the sake of argument – Jay- who said that same lyric, Hip Hop fans would be up in arms and adding on to his illuminati accusations.

FANS PRAYERS ANSWERED

Call it posse cut of the year. After wishes and petitions, a true Boot Camp Clik/Wu-Tang Clan track has come true in the Nottz produced ‘Clans & Cliks’. This is far too epic to not have a video produced for it, or even performed on stage. This is critically acclaimed and well received, one must wonder – are there still unreleased ODB & P! Verses enough to make that joint album we have always wanted?

It is great that the album closes out with Rap Professor which was released exactly a year after his passing, followed by ‘Price’s Family’, which further confirms what was alluded earlier about Sean’s way of life with Bernadette’s few bars which also go impressively hard, along with a fun fact which Bernadette reveals in the interview below…

This is a near perfect album to come out this year. Not because Sean is no longer here in the physical, but I say near perfect because as solid and flawless as it is, there are certain elements us fans wanted which may not be there, for example, some fans wished there was a 9th Wonder beat in there somewhere, a good ol’ Heltah Skeltah duo cut, or in my personal case – a Random Axe cut. Again these are minors, and like Dru-Ha explained in the video above, Bernadette put the body of work together that is Imperius Rex, approving the features, putting verses together, and she did it 100 times better than Puff Daddy did with Born Again – no wait – 1000 times better why? Because Sean Master Flex liked that number. P!

KOOL G RAP LIVE @ 2Funky Music Cafe, Leicester UK June 28, 2017

REVIEW BY MICHAEL GRANT, C.E.O. of RePPiN4U

1992: I was but a 12-year-old. Missed an entire year of secondary education. The stories about my cousin’s cassette tapes, are legendary. To my knowledge he still has them. A lot of tunes I used to rock to but never knew who the artists were and it wasn’t all the time I was exposed to Yo! MTV Raps. Ill Street Blues was one of those tunes. The man responsible was in the UK in 1992, rocked every crowd possible, left, and was not seen in the UK again….

UNTIL NOW.

Kool G Rap Live2017: ‘Mumble Rap’ reigned supreme. Grime is misunderstood in America as UK Hip Hop, some fans just couldn’t give a DAMN despite Kendrick’s continuous effects to push boundaries, while others were stuck in 2001 playing Ether while sleeping at 4:44am. This has called for the Don himself to return, your rapper’s favourite rapper, the man who Nas said wrote the Hip Hop bible. The people of Leicester and surrounding areas came together to witness history. Kool G Rap, new album in tow, rocking the UK for the first time in 25 years.

The 2Funky Music Cafe’s strategy of exposing as much local talent as possible are a bit hit & miss. The show started with a Polish Hip Hop group whose name I didn’t quite catch unfortunately, A lot of what they performed was in their respective language and whatever they were saying in their lyrics – they meant it. Massive props go out to them as the UK continues to become more multi cultural and those who support Brexit for the wrong reasons cannot stop the power of Hip Hop.

Trademark Blud followed alongside DJ Tricksta and dropped an impressive 20 minute set. His ferocious delivery over tongue in cheek like beats and political subject matter left the crowd wishing he could have been on a little longer. If an opening act gives you that feeling, you are going places.

Leicester’s own Shakezpeare & DJ Roll Blunt were determined to top Trademark Blud’s performance, and They did. Even with sound check problems which Shakezpeare easily overcame by dropping hot freestyles like a professional, and that is what Hip Hop is about, to be able to adapt in any situation. His mission was a simple one – make sure his performance was so on point that no one apart from G Rap could follow him. Were Galaxy High from Sweden up for the challenge?

This is the part where I shed sympathy for Galaxy High, what I saw were two talented emcees who struggled to keep the crowd rocking which brings me to my point earlier: Too many opening acts may have been hit or miss, or maybe Galaxy High were positioned wrong in the line up sequence, or maybe the crowd were just ready for G Rap, it was the middle of the week, some may have had to commute the following morning, maybe 4 opening acts might be overkill. It is understandable in one aspect, keeping the crowd waiting for the main event for too long can also be a disadvantage.

15 minutes before G Rap took the stage, it was up to DJ Anthony Mace to set it, and it doesn’t start any better with a series of Mobb Deep tracks to remember Prodigy. The time when G Rap finally jumped on stage was the time the show was scheduled to finish according to Facebook which proves when it comes to gigs you cannot believe what Facebook says by gospel.

Performing the biggest tracks like ‘Take Em to War’, ‘Ill Street Blues’, ‘Streets Of New York’ & ‘Fast Life,’ the Don showed he never lost it. He takes time out to remember Prodigy in his own way by performing ‘The Realest’, in which Prodigy featured, and G Rap reveals a true story on stage of how Prodigy impacted him.

 

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Photo courtesy of @Kip1979_kipp on twitter

An interesting moment was when G Rap performed ‘First N!&&@’. Many of us know the DJ Premier produced version but on this night the Dr.Dre version was blasting through 2Funky Music Cafe’s airwaves before a capacity crowd.

 

The Don closes out his 45 minute set with one of his newest singles from the Return Of the Don album – Wise Guys which features Freeway and Lil Fame of M.O.P. The crowd response was greater than I imagined, as usually a predominately 90s Hip Hop orientated crowd look a bit confused and unfamiliar, but that was not the case here.

Admittedly Kool G Rap was not on my essential ‘see live’ list but looking at it in

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Photo courtesy of @Kip1979_kipp on twitter

retrospect, I’m glad I did see him live. Leicester saw history before their very eyes on this night, and G Rap’s time was yours – he embraced his fans and engaged in full conversation after the show, taking pictures and signing memorabilia, even with Prodigy’s memorial service which took place the following day.

 

Massive respect and salutations to The NGE (New Golden Era) massive and crew for looking out for a brother. They are some good dudes right there, just don’t front on them! Last person who did that got BLAOW! In their mouth corner! Others talk about it while they live it and that’s the Hip Hop we support over here.

Take a bow Kool G Rap! He’s Out For That Life!

 

RAEKWON – THE WILD

RELEASE DATE: March 24, 2017, ICEH2O RECORDS/EMPIRE

Written by Michael Grant, C.E.O. of RePPiN4U, member of GGO – Ghetto Government Officials and Wu Worldwide DJ Coalition

IN THE LAST EPISODE…

“Usually, the chef will tell their customers, what is in the dish that they prepared for them in detail. Raekwon has done no different in many interviews prior to this album coming out months in advance. So why didn’t Rae’s loyal heads not take heed? While this album has been received well by casual hip hop fans, the hardcore fan base are not so pleased, especially in a time when Raekwon most notably trashed the Wu album – A Better Tomorrow…”

Raekwon The wildThis basically summed up F.I.L.A. Fly International Luxurious Art. I saw what Rae was trying to do. We all did, but I stand by what I said last time. He let his fans know before hand and as a result, the fans let themselves down with their expectations. Rae’s most hardcore fans want the Wu-Tang sound and nothing less. But with RZA’s production sounding more left field as of late, this has led our Wu generals looking elsewhere for beats that will appeal to their fan base.

RZA has handed the Wu keys over to Ghostface Killah if we are to see a new Wu Album, and who is Ghost’s longtime tag team partner? The Chef himself, who has heard the constructive criticism regarding F.I.L.A. and so this is another attempt to fine tune his sound to appeal to loyal fans and new fans. We recently learned that Justice League will be producing on the new Wu Album, and they are featured here on this new project – The Wild, which has no Wu features at all, and dedicated to Mel Carter. With all this in mind, is this an early inkling to what the new Wu Album could sound like?

No messing about, straight into the first single. ‘This Is What It Comes Too’ right? Raekwon is bringing the ferocious flow back over classic drums brought into 2017. A remix has recently surfaced featuring that man who had been gone for 36 Seasons. Now not for ‘Nothing’, Rae comes through with sonics which resemble the Wu-sound. You will not find Kung Fu skits here, but instead you hear parodies based on the real in the form of a guy singing about shorties getting their head right…

Talking of stories based on the real, Rae takes you back to April 2, 1939 with a sure-fire album highlight, sending a tribute to ‘Marvin’ Gaye. The track is a soul drenching winner thanks to the hook supplied by Cee Lo Green. The soulful flow continues on into ‘Can’t You See’. If the listener is not zoned out at this point with a tear in their eye… I don’t think this album is for them.

This is the ‘controversial’ track of the album. Wu-fans worst nightmare has come true in ‘My Corner’. All the Lil’ Wayne hating memes, all the pictures of his album in the toilet or set on fire, has all come to bite Wu-Fans in their backside. The chief hip hop villain joins the Chef here and to make matters even more disturbing, Mr Carter Jr brings his A-Game in his rhymes over a vicious frantic beat because he knew he had no choice against a hostile Wu-audience.

Rae shows a bit of a comedic side to him which you don’t see very often, introducing the ‘F**k You Up Card’, a young kid (whose voice sounds suspiciously like Rae but switched up and we have seen Rae do this sort of thing before – remember Clyde Smith?) puts Rae on to a service where he can get his enemies taken out for a small fee. 02-Andra-Day-wim-crop-bb31-kdln3-billboard-1548

In ‘M&N’, Rae and P.U.R.E. go bar for bar on some Grid Iron Rap style. Then Andra Day provides her vocals on the 2017 dedication to the incarcerated in ‘Visiting Hour’.

‘The Reign’ is Raekwon’s new victory championship belt anthem. the production on this is epic and sounds like Rae raided the Maybach Music studios and put the beats to good use. Then Rae brings more soul and that feel good factor as he puts the ‘Crown of Thorns’ on his head.

G-Eazy looks like a fan whose wish of rhyming with his long time idol come true. He’s on point in ‘Purple Brick Road’ when he states that 20 years from now he would be still rock the purple tape. Go back a bit into the track and the production intensifies in glorious fashion.

However was the Chef being a bit too experimental here? ‘You Hear Me’ sounds out-of-place, could have passed as a bonus track, or a track where Rae edited out the trap artists that may have featured with him. Granted Rae rhymed over the trap sounding beat with ease, it’s not something he should do often, or better still, kept off this album – it really doesn’t suit the body of work which is presented here.

That’s the only mis-step on The Wild, otherwise this is a massive improvement over the last offering. If you imagined Raekwon as a stand alone artist and Wu-Tang did not exist, this is the album that reflects that imagination. Even Lil Wayne’s appearance is not a factor (remember Nas & Damian Marley’s Distant Relatives?) Raekwon has finally hit his stride as far as a non-Wu endorsed offering.

The time is still running on Cuban Linx 3, but for now, this is a nice album to take minds away from the WWE-like nonsense they call ‘beef’ that’s happening currently.

 

 

Hell Razah @realhellrazah presents #GGO Family Tree (updated 3/13/17) 

Ghetto Government Officials have welcomed RePPiN4U in their great movement! The elevation continues!

QueenTheProphet.com

hr_musicinc

Hell Razah Music, Inc.
President: Chron “Hell Razah” Smith
Vice President: Scripture

Hell Razah Music, Inc. Artist Roster: (GGO Ghetto Govt Officialz)
Hell Razah @heavenrazah
Yung Razah @yung_razah
Automatik Greatness @automatik7
Scripture @scriptureggo
The Book of Daniel/ Chief GGO Tribal Nation @_bookofdaniel
Rico Deniro @iamricodeniro
Ace Jimenez @chosenkingz

Hell Razah Music, Inc. In-House Production:
Dr. G (UK) @drgproductionz drgbeats.com (Executive Officer)
Ark of the Covenant Productions (GGO CT)
St. Peter (GGO CANADA)
Sneak Vandel (GGO/ZUBulliez) @sneakvandel
Miverson Beats (GGO RI)
Hell Razah Music, Inc. Official DJ’s

Admiral DJ Yello (Wu-Tang DJ Collation)

DJ FLIPCYIDE (Wu-Tang DJ Collation)

DJ Fiyaa

DJ Kenni Starr

Hell Razah Music, Inc. Graphic & Design Team
Culture Freedom culturefreedom_artwork@yahoo.com (Executive Officer)
Ron Degiar @rondegiar

Alex Schnaible (Follow Me Design)
Hell Razah Music, Inc. Film Production:
Frank Meyer

Jason Valdez

Michael Moote

Hell Razah Music, Inc. Video Production:

Nick Ruiz
Hell Razah Music, Inc. Official Apparel
iapparelstore.com

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DE LA SOUL LIVE @O2 Insitute, BIRMINGHAM – MARCH 3, 2017!

WRITTEN BY MICHAEL GRANT, C.E.O. OF RePPiN4U

HISTORY IN THE MAKING.

At this time, I feel bad for the people who did not make this show. I shouldn’t, but I do. In the early part of this decade, De La Soul were teasing signs of a long-awaited return to give fans that well needed fresh air… first the Dilla EP, then they had their ‘tribute’ to the Wu-Tang Clan, which I had to put in quotes because it was the true tribute, but was overshadowed by a certain Canadian light-skinned, high-pitched voice artist whose unnamedso-called tribute was about checking a girl in a club (??????) and wanted to ‘controller’ from the ‘Hotline Bling’. Then they proved that they still ‘God It’ with Nas. South Park poked fun at the Kickstarter concept, but one good thing came out of it – De La Soul’s new album ‘And The Anonymous Nobody’. What do you think was going to come next? An impending tour.

The news broke about the tour in the later months of 2016… yeah you know, that year which was ridden with celebrity deaths, the UK’s decision to leave the EU, and the end of the Obama era going into the Trump era. So many people caught up in all of that, and De La Soul were more concerned about coming to the UK. I rephrase the opening statement. a part of me feels bad for those who did not make the show…

De La Soul arrived on British shores, and met a woman with bad wind whose name was ‘Doris’. They are used to hurricanes, rain hail snow and earthquakes… they were not about to be fazed by someone named DORIS????

Entering the sold out O2 institute a little before 8:15pm and Jungle Brown took the stage for a lengthy 45 minute set, which was well deserved because these guys had an impressive track record of artist openings. The likes of Big Daddy Kane and Ghostface Killah to name a few is more of a who’s who. Performing their big tunes including H.I.S.T.O.R.Y, their style complemented the main attraction and the audience without having to pull out the secret weapon of the crowd cheering along to the disapproval of mumble rap.

In between sets was very unusual, there was no DJ in between to keep the crowd hype for 30 minutes while waiting on the arrival of the trio. The weird thing about that was the 30 minutes flew by, well at least in my mind.

Not a second after 9:30pm, DJ Strike takes the turntables and announces that DJ Maseo was not in effect which was a shame, but Posdnous and Dave jumped on stage!

NOTE TO SELF: ALWAYS BUY A STANDING TICKET. EVEN IF YOU HAVE PHYSICAL DIFFICULTIES.

Performing their signature hits such as ‘Oooh’, ‘Much More’ and ‘Stakes Is High’, they took a moment to stop and acknowledge the six people sitting upstairs and ridiculed them all in good fun. Now while I found this entertaining and hilarious as did everybody else, I seem to recall a certain ‘college dropout’ who was associated with a woman who engaged in carnal activity and put it out for the world to see, getting cursed out by social media for doing the same thing.  Just goes to show what we are like behind our devices.

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Photo courtesy of Mr Keyes

Another great highlight was Pos & Dave acknowledging J Dilla, Phife Dawg and Sean Price, but they feel the same way as Busta Rhymes when they proclaim why we as people appreciate people more after they gone rather than while they are here. Busta said that and I agree 100-1000! Unless I’m a true fan of someone I’m not quick to throw YouTube videos all over my timeline when somebody returns to the essence!

HISTORY ABOUT TO UNFOLD…

However Birmingham was not ready for the element of surprise and maybe the biggest highlight of the night. Just after performing a verse or two of ‘Buddy’, Pos & Dave big up all their fellow Native Tongues. Unknowing to most, Black Sheep Dres was lying in wait! Birmingham is not used to surprise guests coming through to blaze the stage. Usually that honor goes to London or Manchester. In a capacity crowd full of people of all ages, it was the 40 and over portion of the crowd in complete disbelief and comprehending who they are witnessing on stage performing their favourite hits. When it came to ‘The Choice is Yours’ however…the younger portion of the audience were about to be schooled…

For 20 years, I had been clubbing, and the DJs would always play the same tired songs, particularly that Faith Evans/FatMan Scoop track. Easily top 5 all-time club classic yet annoying track. On this day, I was proud to see the younger audience finally realising that the voice behind ‘Engine Engine #9’ was standing in front of them and bringing the true essence. Yes it might have took them a moment to realise the part with FatMan Scoop asks

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Photo courtesy of Mr Keyes

‘who’s f**k!n tonight’ was not coming! Dres & De La had the whole capacity crowd laying low anticipating to jump up after ‘pick it up, pick it up!’ during said portion of the song apart from one person with a glaring white coat on who De La single-handedly pointed out in ridicule! This is an old school jam! Not your usual show where all the stars can see on stage were your phones! (Even though that happened too…standard procedure!)

Usually the surprise guest will leave the stage after their moment but not Dres, and De La wouldn’t want it any other way. He became their unofficial hype man for the remainder of the night, but at 10:15pm I don’t know who De La were fooling trying to say goodbye and peace to the crowd after performing ‘Saturday’ and leaving the stage…  nobody budged. De La realised the crowd were not taking the bait and came back out. Finally finishing on ‘Me Myself & I’ and ‘Name & Number’, De La & Dres closed their hour set…

MEMORY OF…(US)

As I constantly hum the track featuring Estelle while gathering my closing thoughts, even if the show went on for another 30 minutes, it would not be enough to cover three decades of great innovative music from De La Soul, so yes, I’m guessing everyone left the O2 Institute with a bittersweet feeling of what track they wanted De La to perform. In my case, being the current purist I am, I wanted to hear at least ‘Pain’ or ‘Royalty Capes’ from the new album. Or ‘I C Y’all’ from AOI. Being as it was a sold out event, I was surprised, disappointed and almost remorseless towards those who couldn’t make it. Yes I feel bad for them but as I write this, the remorse level decreases. On this night, I witnessed history. Two acts for the price of one, and I knew of this show in the closing months of 2016… so to that I say this to quote a De La Soul hook: “If money makes a man strange, we have to re-arrange that…”

 

IRON WIND & PRIMORDIAL EMCEE – PRIMAL WINDS

RELEASE: FEBRUARY 10, 2017, WRITTEN BY MICHAEL GRANT – C.E.O. of RePPiN4U

Eric B & Rakim. EPMD. Havoc & Prodigy. Method Man & Redman. Raekwon & Ghostface. M.O.P. Capone ‘N’ Noreaga. Skyzoo & Torae. Conway & Westside Gunn. Some of the Hip Hop duos that have stood the test of time through the annuls of Hip Hop history.

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CLICK HERE TO PURCHASE ALBUM

Iron Wind, more known for his detailed stories of Feudal Japan in his albums, has once again entered the battlefield, this time bringing along Primordial  a.k.a. District Prime who  won’t hesitate to engage in battle rap and explore the sciences. Having both appeared on each others separate projects, it was only right that the next logical step was to come together for a collaborative album.

2017 sees the pair come together  and become ‘PRIMAL WINDS’ in ‘T.Dot Stand Up’ which takes them both away from their comfort zone, and they are kind enough to bless RePPiN4U with an exclusive advanced copy of the album before it touches down to an iTunes store near you.

The album kicks off with ‘T.Dot Stand Up’ and  it’s their anthem praising the capital of the Maple Leaf country and how the city embraces the true essence of hip hop, and letting the world know that Toronto has been on the map way before he who just wanted ‘One Dance’ and a ‘controller’…

…so with that in mind they turn their attention to those who are ‘trapped in the 90s’ with ‘Bring It Back’, and then bless their ears into 2017 by flipping the sample Pete Rock used for ‘Straighten It Out’ in ‘Our Generation’. My guess is their first track will wind up being a video but this should get the visual treatment too. I believe with this, not only do they have a highlight on their hands, they will attract a wider audience instantly.

The pair remind us that they are just like us normal folk, no different, we gotta pay those ‘Bills’. Four tracks in and I strongly suggest that you go out and support this project. I give these guys props because their track sequence is on point in terms of track titles. Bills

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LUCY LOVESICK

need to be paid so they must go ‘On The Grind’ complete with classic scratches used as the hook which are so relevant., and of course, if you are on your grind, and the bills are paid, you can approach the opposite sex with confidence and let her know how she is ‘So Sexy’ over a nice Motown like beat you would hear somebody like the Temptations harmonize over.

Seven tracks in and the realization sets in that this project could be up there with the best of underground projects this year. It’s not easy in the ‘Concrete Jungle’ though. Here you see Primal Winds flowing effortlessly over a sonic which sounds like it should only be played at night while cruising in a convertible.

Primal Winds are very proud of their home of Toronto…however they make it painfully clear that Toronto is not all roses and  green pastures.

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PRIMORDIAL

They align themselves with Cuban Pete on the track – ‘City Pulse’, with a backdrop sounding like an episode of CSI giving vivid storytelling on what happens when the sun goes down in Canada’s capital. This is complemented by ‘The Stakes’, where we see the two hit the casino and do just that – raise the stakes on their rhyming skills against any challenger.

‘Tonight’ features the sultry vocals of model Lucy Lovesick who presumably takes the role of ‘Hip Hop’ (as we like to refer to the culture as ‘H.E.R.’) but can also be seen as a double meaning as this sees the two take a slightly smoother approach in the music.

In ‘Making Moves’, the duo will do what it takes to get great reviews. (well almost… they won’t pay you to play their records or threaten to chop your head off or anything like that!) If you are not convinced then see the last review of Iron Wind’s The Warrior Inside on this site. Heads would have realised that this was the next logical chess move for the two emcees.

Die-hard Wu-trainspotters will recognize the beat that’s flipped here in ‘Afterparty’. This is some feel good vibe compared to the grim and awareness the Sunz of Man portrayed in ‘Israeli News’. The album closes out so soulful as the duo give their ‘Ode To Hip Hop’, as they tell their heartfelt stories of their hip hop journey, you cannot help but nod to it in celebration. These guys have a great ear for beats and this project is sure to get regular spins.

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THIS IS SWIFT JUSTICE RESTORED TO TORONTO.

This is quality music that shows versatility and a different side to the emcees that we have known to love over the past decade, which is always good because you don’t want 10 albums from the same artist saying the same things and no growth. Stay tuned on RePPiN4U later this year and on our show on www.wild1radio.com as we are sure to be playing these tracks and hearing in more depth from Iron Wind and Primordial.

PURCHASE ALBUM ON BANDCAMP HERE

FOLLOW PRIMORDIAL EMCEE ON TWITTER HERE

FOLLOW IRON WIND ON TWITTER HERE

DOM PACHINO LIVE @2Funky Music Cafe, January 29, 2017!

REVIEW WRITTEN BY MICHAEL GRANT,  C.E.O. of RePPiN4U

August 5, 1997. The day Wu-Tang fans around the world was about to experience the flood RZA was talking about on a Tim Westwood show. We had come to an end of the Abbott’s five-year plan. What was coming next from Hip Hop’s most influential collective? A six-man SWAT team called Killarmy. Their debut album Silent Weapons For Quiet Wars, dom-pachino-leicestercontinued the signature Wu-Tang Sound but instead of Shaolin Kung Fu film samples, it was war movie quotes headed by producer 4th Disciple. Along with Sunz Of Man & Shyheim, Killarmy remain one of the most well-known of Wu-Tang affiliates.

Fast Forward 20 years later, and we see Killarmy’ Voltron break down into the lions and have become their own generals in their own right. Dom Pachino a.k.a. P.R. Terrorist in particular has learned from his Wu-Tang brethren, spawned a clothing line, launched Napalm recordings and has his own array of ammunition in artists including Bugzy Da God who performed with him live in the 2Funky Music Cafe in Leicester.

Massive shout out to PC The Producer of FATP (From Across The Pond UK Hip Hop Show) and part of the RePPiN4U administration for opening the night with a unique twist – instead of the usual 90s Hip Hop classics played by most DJs (which is appreciated, by the way) he played a selection of UK Hip Hop and Wu-affiliate cuts which was a true testament to the heads in attendance who travelled from the likes of Nottingham, Wales, all the way from Sweden, and all showed their love to the man who has put UK Hip Hop on his back.

PC would then be joined by DJ Roll Blunt who rallied the fans in attendance as the opening act – Shakezpeare stormed the stage with his high-octane energy and ferocious delivery on the mic performing his set including the Bronze Nazareth produced ‘Train Of Thought’

Half an hour later Bugzy Da God comes through and keeps the momentum going. It wasn’t necessary to use this technique, but Bugzy hit the crowd with his disdain for mumble dps-2rap/trap music by performing ‘Nail In the Coffin’ which is his switch up of Common’s ‘Sweet’. That secret weapon always works. Bugzy was firing on all cylinders with requested 4th Disciple produced tracks, and just in case a few people started to rub their eyes or hide their yawns with their hands, Dom Pachino came out all blazing saddles, telling people to Wake the f- up. Terrorizing his way through his hits, most notably ‘Problem Child’, which he explains is a very personal record, and ‘Napalm’, which is a single with a sure-fire video waiting to dps-1happen from his P.R. Terrorist Vs Dom Pachino project. With the crowd reluctant to go home and even management caught up in the vibe, the 11pm curfew was thrown out the window but Dom ended the set with the track which put Killarmy on the map in the first place – Wu-Renegades.

There were a few hiccups along the way with the decks not playing certain tracks but the professionalism of the performers knew when it was time to drop killer a capella freestyles, which is the backbone to a real emcee. The crowd turnout was also less than anticipated, but maybe it was for the better. After all – like Raekwon says – this show was ‘Only Built 4 Cuban Linx’ and with that in mind Dom, Bugzy and Shakespeare performed like it was a capacity crowd in Glastonbury. That has to be respected.

Look for the coming RePPiN4U Exclusive interview with myself, Dom & Bugzy elsewhere in this blog!

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All photographs taken courtesy of KULVADER PHOTOGRAPHY