WU-TANG: THE SAGA CONTINUES

RELEASE: OCTOBER 13, 2017, EOne Music, Review by Michael Grant, C.E.O. of RePPiN4U & member of Wu Worldwide DJ Coalition

THE STORY SO FAR:

“If you have a good day, you want A Better Tomorrow, if you had a bad day, you NEED A Better Tomorrow…” (RZA, 2014)

Sounds like RZA had a bad day at the office with the last LP. We all have a bad day at the office at some point or another. He needed A Better Tomorrow… so he told Ghostface, if we gonna form like Voltron again, I want you at the helm. Even at the press conferences for A Better Tomorrow album, when asked if this was the last Clan album, Method Man was the first to pipe up and say emphatically – NO….

wu tang the saga continues artwork maybe…but in August of 2017, the Wu-Tang Clan adopted the Killarmy like approach and emerged like Camouflage Ninjas with a new single – People Say… and took Hip Hop by surprise. Just like that, like an RKO outta nowhere, RZA & DJ Allah Mathematics announce a new album, took to all major radio outlets for interviews where the creator of the Wu logo publicly put his own neck on the line by saying “he studied the 36 Chambers album & Dr Dre’s 2001 and crafted the album based on those two releases.” …and just like that, fans expectations are raised to the highest.

With Mathematics now behind the boards for this one, he starts the album the right way with the Shaw Brothers introduction. Kung fu heads know that when they hear that, they are in for a quality film, and that was Mathematics approach here. Great science behind the kung fu sample chosen as well. To Mathematics, this is a test, he knows the consequences should he fails in this social media driven era, and the clan are out to kill the game on this go round. The Abbott still overseeing the project but keeping his hands away from the boards.

With that said, is it a Lesson Learned? Who better to kick off the album with the Rebel INS? Nice to hear the evil Skhreli himself get a mention in the track and it feels great to have Redman jump in the track with a clan member other than Method Man and share that synergy. It’s a refreshing dynamic. The track flows nicely into ‘Fast & Furious’ with Raekwon and Hue Hef which sees them on the good ol’ Cuban Linx style storytelling tip.

In the hook of Lesson Learned, Redman states that his people don’t play, particularly his tag team partner Method Man who keeps his new curse-less rhyming style ferocious over a smooth beat in ‘If Time Is Money’. It’s almost like a two-part series as Meth continues in ‘Frozen’. His Wu-Massacre brothers jump in the hook, Killah Priest & Chris Rivers go in unfazed. Can’t help feeling that Ghostface’s vocals didn’t sound fresh though, slightly out-of-place but hey – it’s a minor right?

He more than makes up for it in the skit ‘Berto and the Fiend’ which its soulful vibe sounds like it was originally going to make Supreme Clientele 2…

As we enter one of the album’s many highlights: Pearl Harbour where we see yet another Boot Camp Clik appearance in Sean Price who ‘f**ks with Wu-Tang and a couple of new n!&&@$’… the track is so epic that it makes you wish Wu Camp Clik came with an album a few years ago instead of Wu-Block… or is it still possible in the next year? Calling Bernadette Price/Rockness & RZA/Mathematics! Said before in the Sean Price Imperius Rex review and again here – MAKE IT HAPPEN! Rockness himself would have been great on this track too…

…the same could be said for Ghostface Killah on the track that started it all in August 2017! Every MC went in, Mathematics lost his mind with the beat, and when it was released initially, turns out Mathematics still wasn’t satisfied, he went back and made some minor changes as Redman went in! You can hear all the signature sounds Mathematics does here especially when Masta Killa steps in to finish the track.

Big shout out to Shahrazad Ali who drops jewels in the ‘Family’ skit about the importance of the black man in families. I may not be an American Citizen, but going by what’s happening as of late, I say impeach Trump and elect this woman for president.

Then in ‘Why Why Why,’ another album highlight, we see a more hungry RZA rather than the somewhat ‘lazy’ flow we have seen RZA do as of late, here he’s sounding more like ‘The Cure RZA’ rather than the ‘Bobby Digital RZA’. Big up to Swnkah, putting a nice reggae riddim touch on the track.

In G’d Up, Method Man is throwing shots at wannabe Killa Bees… there they are, all over social media claiming they are a Wu-Tang affiliation. It’s a desperate and embarrassing sight… “You ain’t my people, I don’t care if you know RZA/‘Cause at the end of the day
I’m a problem boy, stay out of my way/if you see me in the streets, you better give me my space/And if I beat you to the punch I punch you dead in your face…” With Mzee Jones on the hook, you can hear the Dr Dre 2001 influence Mathematics was talking about.

Ol Dirty Bastard continues to prove he was light years ahead of everybody. at the end of the banger ‘If What You Say Is True’ which also shuts down speculations of GZA’s appearance on the album, Dirty tells the people how the media are trying to bring about a race war. RZA & Mathematics continue their teasing techniques on the Saga skit, wishing a full version of the song exists somewhere in 36 Chambers studios, then this is how it sounds when the Hood Go Bang…a track that makes you wish Red & Meth went in a bit longer.

Finally, with assistance from Steven Lattore, Ghostface encourages RZA & Cappadonna to channel their inner Pretty Toney in ‘My Only One’… directing their attention to the ladies, who probably wish Method Man jumped in on this one.

The album closes out with a great message addressing the young artists doing their thing in music and the older generation who have their constant qualms about their music.

RZA Mathematics quote

Sometimes in mathematics, you don’t find the correct answer straight away, and in this album, it will take quite a few listens for you to absorb everything, and once you have done that, you realise that Allah Mathematics has done a great job here. He has stayed closer to the Wu-Tang sound, and it is a vast improvement over the last LP (A Better Tomorrow) but here’s the twist: To those who had high expectations and were disappointed in this surprise project, on one hand I don’t blame you, because of the way this album has been promoted. This is in actual fact a glorified sequel to Wu-Tang: rza-dj-mathematicsChamber Music and Wu-Tang: Legendary Weapons. If Mathematics put this out with little promotion like he did with his previous projects – (Love, Hell & Right, The Problem and The Answer), the album may have been better received. But because it was promoted like it was a new Wu album of the bat, and because Allah Math modeled off 36 Chambers & Dr Dre’s 2001 in interviews, I can sympathise with you to an extent. Here we realise that fans actually care about U-God who is absent from this project, maybe due to legal reasons at the top of 2017, but this album felt like U-God’s face would have been replaced by Redman via Photoshop in the Wu-Tang Forever album cover. The album also suffers from a not having a full posse cut which has been on every major Wu album. After you get over U-God’s absence, this is a very enjoyable album that will get regular spins alongside Masta Killa’s Loyalty Is Royalty, until the next solo or group project surfaces.

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GHOSTFACE KILLAH LIVE @O2 ACADEMY, BIRMINGHAM SEPT 22, 2017!

REVIEW WRITTEN BY MICHAEL GRANT, C.E.O. of RePPiN4U

I WAS GONE FOR 28 SEASONS.

The reason I say that, is because somewhere between July 2010 when I witnessed (in my mind) the greatest show ever in Nas & Damian Marley in the O2 Academy, I return to the same venue, and things have changed.

Ghostface Killah Bham

The first time, I saw my favourite artist of all time with MF DOOM. The Theodore Unit, Killah Priest and MF DOOM himself recited a verse each of Triumph.

The second time, I saw my favourite artist of all time with Sheek Louch of The Lox, it was great to hear a combination of Wu-Block hits, before that unthinkable moment when I took a pic with the Supreme Clientele Champion himself.

This is the third time. This time closer to home, to enjoy the show with my peoples. This time I had no idea what to expect apart from – it would be different from the past two shows I had been to, AND IT WAS. In some ways, not in the way that I would have liked.

My initial arrival to the O2 Academy had me in disbelief, two hours before doors opening and there was already a queue. Initial thoughts were – this could be history right here, until I looked up at the display…’Ghostface Killah & Machine Gun Kelly’. Prior to this the flyer read ‘Ghostface Killah & special guests’… so imagine my horror thinking we had to go through a set with him, not saying he’s not a great artist but rather not a fan of and what RePPiN4U doesn’t necessarily support.

Fast forward three hours later, it turns out there were two separate shows so I could remember Machine Gun Kelly the way I want to remember him… Observe…

GRANT BODY-P!

I was also stunned at the security for taking my HD video camcorder away from me at the doors, which explains this article’s use of video footage from other uploaders. Locked away in a safe, RePPiN4U were unable to bring you highlights on this rare occasion, and also may be a lesson learned.

The real special guests were in fact Joe Young, who opened the show. A very humble dude and great guy, he knew he was very new to the scene, he gave the crowd a heads up that tunes performed from his Invincible Armour album feature his fellow Wu-Brethen, and the crowd accepted that fact.

Next up was an artist from Liverpool named MC Nels0n (Nelson Idama), a good artist, great rhymes, great selection of beats, but there were a few problems – the main one being his mic – the crowd couldn’t get the clarity of his rhymes like the beat overpowered his voice, but the sound engineers quickly rectified that. What we heard was a guy who concentrated hard to remember every line, but he sounded stoic and needed to work on his stage presence. The Birmingham crowd were lenient, because London crowd would have booed him off stage. I have seen artists better than him booed of stage in London viciously.

After a great 90s Hip Hop set with some recent hits thrown in to keep the crowd hype, a few short performances from other artists including a hot looking female MC whose name we couldn’t catch because of the noise made by guys and catching snaps of the hot pants wearing chick on their phones…

The plate throwing clan member finally jumped on stage with Killah Priest at 9:20pm and started his rollercoaster set with hits like Mighty Healthy, We Made It, Ice Cream before jumping into ‘Eye For An Eye’ in tribute to Prodigy.

 

The rollercoaster continued into the classic 1993/1995 cuts such as Chessboxing, 4th Chamber, and an alternate and interesting version of Knowledge God.

Ghost continues the tradition of remembering ODB, and inviting two people on stage to recite Method Man’s verse and ODB’s verse of Protect Ya Neck. Yes I admit to bottling the opportunity, but if Ghost invited me to recite Raekwon’s verse of Apollo Kids then not only would it be a different story, I’m sure Ghost would be even more impressed…but I digress…

One dude stepped up as you will see in the video below, but unknown to us – Ghost had a secret weapon – Numi Sic’Nis – who went IN on Method Man’s verse! Not just that – she singlehandedly performed the whole Triumph track (minus Ghost verse) – she just kept on going and Ghost himself became her hype man! Simply another example of how humble Ghost is – he could have told the DJ to stop the track but nope!

Just before the show closed out with Triumph, Ghost asked the fans what track they wanna hear him perform, after mad confusion from different requests – my friend requested any track from ‘BadBadNotGood’ (which would have been a unique pick) and there I was screaming ‘Apollo Kids’ – but ultimately Gravel Pit, Run and Daytona 500 got the win.

40 minutes later – just like that – it was all over. So unexpected, disappointing knowingGhostface Bhams (2) the last two shows I was at – he went a lot longer… only defense was that Ghost does like to embrace his fans and that he did – signed autographs on T-Shirts for a good hour. Maybe it was a decision made to comply with the possible curfew of 11pm…

THE SAGA CONTINUES

Now this is what I mean – I was gone for 28 Seasons. In 2010, Nas & Damian Marley – they were on at least 90 minutes and they finished at midnight. 2017, Ghost finished at 10pm – something happened in between that time for O2 Academy to change their policies…

Make no mistake – Ghostface Killah & Killah Priest (with help from Numi) rocked the joint for 40 minutes straight – no slow down, it was one after the other. It was a crash course in big tune.

Onwards and Upwards to October 13 – to normal jabronies, that’s a day the need to watch where they walk if they believe in superstition. For Hip Hop fans and especially Wu-Tang fans, its sword swinging season once again and it will be curtains for their mumble rhyming enemies.

 

BUSTA RHYMES – When Disaster Strikes… 20th Anniversary

Released: September 16, 1997 on Elektra Records

Don’t you miss the countdown to the millennium? Can’t lie, it was an exciting time. Either two things were gonna happen as it hit January 1, 2000… either everything instantly turned futuristic on some Back To The Future style, cars would be flying, that sort of thing, or the world was going to blow up after ‘spinning around in space 2000 times’. But Busta Rhymes When Disaster StrikesBusta Rhymes took a double meaning to this approach. To him it also meant at the time 2 and half years left until he and the Flipmode Squad took over the rap game… well at least that was the plan.

I cannot pinpoint the actual time I purchased this album but I know it wasn’t on day of release. I do remember it was sometime between September and November of 1997. The days of Ruby Red Records were near its end, me and my people had discovered Birmingham. Those journeys from Wolverhampton to Birmingham and back again on the 126 bus…oh boy, there were untold stories. When the Gravediggaz album dropped (Pick, Sickle & Shovel) We gave that 126 bus a new name, but maybe that’s another article waiting to happen…

A lot of us hail E.L.E. Extinction Level Event as Busta Rhymes most well-rounded and overall best album, but for me personally it was a toss-up between Anarchy and When Disaster Strikes… 20 years later, THIS IS MY STORY.

INTRO

I wanna give a big shout out to my long time friend @imfootballmad on twitter, doing major things now on United Peoples TV. You gonna hear about @imfootballmad throughout this story. Back then we used this intro for every journey we made, every female orientated mission we had… “ALRIGHT BUSTA, LET’S GO!!”

THE WHOLE WORLD LOOKING AT ME

I FEEL SO SUPREME!!! This was my anthem when I got my NVQ in Accounting from the Chamber of Commerce. At 17, I was hoping to become the next great accountant… er… that didn’t turn out too well…

But now? As a proud member of the Wu Worldwide DJ Coalition and the GGO (Ghetto Government Officials) and host of the Best Damn Show In Wild1 Radio… Take a look at me, take a look… HA!

SURVIVAL HUNGRY

“I refuse to lose, look at the news and read the interviews… FLIPMODE IZ DA SQUAD!” I live by that line!

Here I’m not addressing the bandwagon jabronies who purchased the album after Turn It Up Remix (Fire It Up) came out… because they may not know about this tune which was cruelly taken off the album in favor for that Knight Rider sampled hit. I know which tune I would have taken off the album but more on that later. But hey, I gotta big up the bandwagon jabronies who supported Busta after Knight Rider. It may have been his most defining moment breaking into mainstream.

Just know this – Survival Hungry got a REEEEWWWWIINNNNNND!!!! On my way back from Birmingham on the 126 bus the day I brought this album.

WHEN DISASTER STRIKES…

…YOU WILL SEE!!!! Already by this time my concerns about Busta Rhymes evolving rhyming style had already been eradicated. Initially I didn’t think Busta could top ‘The Coming’ judging by ‘Put Your Hands….’ but I’ll talk about that later… the feisty, full-blown in your face dungeon dragon Busta Rhymes was here in full effect in the first three tracks… that’s the Busta I like! But if you followed Busta from Leaders Of The New School, and each year you took a recording of him, over a period of time you would hear his voice change, and change, and adapt and evolve…

SO HARDCORE

“I walk through brick walls, f**k around hijack your whole shopping mall!” Busta’s animated persona made me really think he was really capable of walking through brick walls! You could imagine it in a music video, especially when he had his dreads! This was an early favourite of mine! If your headpiece is not banging at this point, your local GP is open from 8am til around 7pm Monday to Friday. Make that appointment.

GET HIGH TONIGHT

Everybody who knows me well knows I’m not that guy, I don’t do drugs… but tune like this – that’s how I get my high… If there was anyone else outside of De La Soul & Redman who were kings of the skits, it’s Busta & Flipmode. So if you don’t smoke weed or anything like that, don’t think this is not for you – IT IS!

TURN IT UP/FIRE IT UP

I seriously think the original Turn It Up was so underrated. Imagine this at house parties on some Kid N Play style and the bass pumping and there you are grabbing a female’s thigh and wrapping it round your ribs while you’re killing the full set of teet like your name is Eddie Murphy! That’s the vibe this tune gave to me…

Now my favourite story of Fire It Up… it was 1998, May Bank Holiday. Atlantis nightclub was the place to be… if you loved dance and house music that is! But this time, everything changed! There was me, my cousin Clint, @imfootballmad, and a few others, we all got in the club after strategies of going in separately, or pairing up with women we were hoping to score with later in the night, walking round with our birth certificate, passport, whatever…because you know bouncers don’t like a bunch of brothers trying to get in the club!

Anyway, the DJ did something at the time was unimaginable. He suddenly switched from dance music and played Busta Rhymes – Fire It Up. Unknown to us at the time, this track blew up the pop charts and suddenly, black people rushed the dancefloor. Sampling Knight Rider was never done before, and the way Busta took us back to our youth while keeping it Hip Hop was incredible. Atlantis Nightclub and every nightclub in the UK was never the same again.

PUT YOUR HANDS WHERE MY EYES COULD SEE

Now this is the track that had me nervous… it was his first single and Busta dropped this new calmer style to kick off the second album… but as mentioned earlier my doubts went out the window and as that happened, I warmed into this, best memory of this was the Lick Party with Trevor Nelson at the Mezzanine Nightclub 2000 I think it was…holy smokes this blew up the party! Once again there was me at @imfootballmad dropping two foot and being dutty with the women around us – I have only been to two MTV Lick Parties… good lord the females!!! Ok enough of all that – Keep it moving…

IT’S ALL GOOD

This is one of my all time favourite skits… and I have always wanted to do this – it WAS on my bucket list… let’s just say I never did it, but if you’re talking about two guys dancing with one girl in the club, and hollering the word ‘FLIPMODE!!!!’ in great joy, then YES! It’s all good!!!

The only thing I couldn’t understand was – how this track was initially banned… after you had 2 Live Crew and all their shocking lyrical content….

THERE’S NOT A PROBLEM MY SQUAD CAN’T FIX F/ JAMAL

Big tribute to the classic disco track ‘Last Night a DJ Saved My Life’ – see we have to teach the youth about foundation and Busta knows about foundation! So this is why I can never knock Busta for working with today’s mainstream artists – bottom line – dude knows his foundation. Some hip hop fans think if artists work with people they don’t like – it makes them a sellout or something. NONSENSE. Look at Raekwon for instance. dude worked with the likes of Lil Wayne and Justin Bieber – then turns around and makes a great album in The Wild.

Flipmode2

WE CAN TAKE IT OUTSIDE

This is one of my all time favourite Flipmode Squad tracks! First time I heard this – it was on Tim Westwood Radio 1… remember him?

I was told that recently Tim Westwood was trying to flirt with Cardi B – do you know this guy is about to hit 60 this year? Cardi B as I understand, has not hit her 25th Birthday, or has just turned 25. Let that sink in…

Anyway I digress… THIS TUNE!!! Damn it was intense! But my favourite story revolves around my good friend Steven Downie, because the skit before this reminded him of himself back in school days… I mean, when Lord Have Mercy is beating down the jabroni down the stairs in a house party and with each punch he exclaims ‘HAAH!’ ‘HAAH!’ move move move move – HAAAH!!! That is straight comedy to a serious situation!

Talking of  a ‘serious situation’… whatever happened to ‘SERIOUS’? Remember him?

RHYMES GALORE

I still haven’t done it! It shall be done! I mean I know my dude @imfootballmad knows what I’m talking about! Acting a fool in the car when this tune drop just like Busta & Spliff! I’ve always wanted to learn the words to this… and never got round to it…

THINGS WE BE DOING FOR MONEY PART 1

I could be wrong – I feel like this turned out to be more filler than a great 2-part story highlight…  the other tracks on the album were just too strong!!!!

THINGS WE BE DOING FOR MONEY PART 2 F/ RAMPAGE/ANTHONY HAMILTON/THE CHOSEN GENERATION

…then after all that it turned out to be a bad dream, and Rampage has to cuss Busta for phoning him up at ungodly hours! I’ll keep it 100 – I don’t like guys running up my FB inbox talking nonsense at those breed of hours, that’s the perfect recipe to being blocked!

ONE F/ ERYKAH BADU

I swore blind there was a video to this… I mean this is the portion of the album where Busta tries to let us know that there is a serious side to him, which was hard to digest at the time given his past music videos. But see this tune here? It’s still relevant and perhaps even more needed now, given all this terrorist business going on, North Korea acting a fool, Mr Trump pulling funny faces…

DANGEROUS

Aaaaah sheeeeeeeeeeet!!!! This was a mad favourite – back in the day me and my people used to hang in a little area called Lanesfield… once again – untold stories… there was this one dude who (for legal reasons shall not be named) we all used to hang round his house… we treated it like a playground, his moms was never around… we used to blast tunes, get drunk, act a fool the lot. When this tune dropped, it was party time – until we broke his moms coffee table! Up til now the breakages have not been paid in full…

THE BODY ROCK F/ RAMPAGE/PUFF DADDY/MA$E

I didn’t like this track… I thought it was dull. 20 years later, I STILL don’t like it. You know what happened? When RZA & GZA called out guys turning hip hop into rap & bullsh!t and all this playa dressing up acting like it was some fashion show… it was Puff Daddy & Ma$e they were referring to! They were mumble rap BEFORE mumble rap. Busta should have taken this track off in favor for Fire It Up (Knight Rider) but obviously I know why he didn’t…

GET OFF MY BLOCK F/ LORD HAVE MERCY

I call this the heartbreaking part of the album you know why? Busta was showcasing Spliff Star and Lord Have Mercy… both were next to blow according to this album… and they never came out. Instead The Flipmode Imperial album came out. As much as I love the Flipmode album, I thought it was a good chess move before Spliff and Lord Have Mercy dropped their projects but then suddenly Extinction Level Event dropped like a month later… I’m glad it didn’t deter Rah Digga from dropping her solo…it was meant to be my mission there after to purchase every Flipmode album as I became a big fan but the movement never really took off…

OUTRO – PREPARATION FOR THE FINAL WORLD FRONT

That’s actually the original title of the third album: Extinction Level Event – The Final World Front… but people are acting like that’s about to happen now! Maybe it is about that time for Busta to finally drop that new album… he got that new tune featuring Vybz Kartel, a next one featuring Swizz Beatz… Eight years Busta… don’t do a Dr. Dre, keep the fans waiting after like 15 years, then finally drop an album that’s not really up to par!

Take a bow Busta… they call you the Woo-Hah! man, the dungeon dragon and all that, but this album defined you, and E.L.E. just added on. SALUTE

bustarhymes_finger

SEAN PRICE: Imperius Rex

RELEASE: AUGUST 8, 2017, DUCK DOWN RECORDS

PHYSICAL RELEASE (According to Amazon.co.uk) AUGUST 25, 2017

REVIEW BY MICHAEL GRANT: CEO of RePPiN4U & Member of GGO/WuWorldwide DJ Coalition

“You ain’t gotta wait til I’m gone… you should have built the ‘Pac statue when he was here to see it!” (Busta Rhymes, 2011)

Busta Rhymes is RIGHT. We as a society do it all too often, take things for granted while it is still here, and as soon as it’s gone, everything changes. But let’s be real, on August 8, 2015, NO ONE was prepared for the tragedy that would strike Hip Hop.

Imperius Rex Cover 3000x3000Sean Price wasn’t a man who had a record of major health issues like say Prodigy with Sickle Cell or Dilla with Lupus. He wasn’t a man we had to keep tabs on. He was a man who despite being loved by his fans from his Heltah Skeltah days all the way to Mic Tyson, he wanted to be acknowledged as just a regular guy who liked to make people laugh, and particularly in his solo career he brought out this mean, Bernie Mac style delivery in his rhymes.

Two years later, Price’s family and Duckdown Records unleash what is believed to be his final album: Imperius Rex, and going by the track listing, think of it as Notorious B.I.G.’s Born Again LP… done properly. Again let’s be real, when Born Again dropped, the tracks on it were a bit hit and miss. Everyone remembers B.I.G.s first two albums. Even now, if you asked the casual fan, they wouldn’t have realised that Faith Evans recently dropped a project called ‘The King & I’, which is a collaboration of tracks performed by her and B.I.G.

APE DON’T KILL APE – P!!

If only Sean did the soundtrack to the Planet of the Apes film, how wonderful would that be? We are not trying to hear what he and wife Bernadette do in the bedroom – we want to hear that out-of-order and bright delivery he is renowned for on the album’s title track produced by Alchemist! He’s not Martin Luther, he’s the man who punches through school buses!

The album’s second video – ‘Dead or Alive’ boasts that Wu-Tang Production in 4th Disciple and features his wife in the hook. Who would have thought she was nice on the mic like that? At the same time, why do we act surprised? This track goes hard. If your face isn’t screwed up at this point, ready to kick down racists, stop reading this review now. This album is not for you!

P! continues his ‘Shawn Carter is nice but Sean Price is the best’ bravado on ‘Definition of a God’. Here P! proves his point way ahead of his time – 4:44 is a nice album but it’s been under debate and controversy since it dropped, and maybe the album achieved it’s purpose, but only three tracks in and the impact of Imperius Rex has already hit home faster than Jay making it back from ‘Becky’s house.

Many would believe that Sean was indeed a ‘Ape in his Apex’ at time of his passing. Over a MF DOOM sounding beat, actually produced by Crummie Beats, Ruste Juxx would concur, to the point where he believes he laid down one of his best verses in his career here, even playfully reveal P! as his ghostwriter.

‘Apartheid’ sees hints of reggae roots seep through and Buckshot defining what Hip Hop heaven is: “If Ruck don’t like you, Buck don’t like you/Ruck down, buck down, what a n!&&@ might do/Black moonwalk on ’em, rest in peace to Michael
R.I.P. Phife from Tribe, he in the light too/Hip-hop heaven, you see seven, that’s the god
All praises due to Allah, sun, moon, star…”

This along with ‘Lord Have Mercy’ may or may not show examples of unfinished tracks which P! started and Rim P & Vic Spencer finished, such as the ‘Born Again’ theory suggests.

‘Negus’ sees Hip Hop’s favourite supervillians combine their force and form a deadly alliance: Imperius Rex & MF DOOM featuring Ike Eyes. This is also appears on Adult Swim’s the Missing Notebook Rhymes in which DOOM releases a new track every Monday (At time of this review).

What hurts fake thugs/road man worse than being punched through pizza shop windows? Taking a knife to their Nike air bubble, as Sean demonstrates in Church Bells featuring Junior Reid. And Sean is right – I have seen such guys over the years enter Foot Locker and cause an argument with the staff because they want a refund from their Nike TNs after they splashed in the puddle wearing them after a day.

RUCKUS IN A P MINOR

This is an album highlight and a half, and on an even bigger scale because of Prodigy. Only Styles P can tell this story of how it came about. The 3 Lyrical Ps is Hip Hop History. Hard hitting lyrics over  haunting deliberate sonics. This is sure-fire on every DJ’s best of 2017 playlist when the year is said and done.

Imperius Rex tracklist

NOT97 is a crazy parody of how Funk Flex and Hot 97 acts, and well deserved, because Flex’s comments about 2Pac as of late has not made him a likeable man. It also painfully reminds us that we may never see visual sketches that P! likes to do every now and then going forward. That aspect of him specifically will be sorely missed.

Omarion’s Ice Box has nothing on Refrigerator P! Yes he jumped on the remix of Girl with Destiny’s Child, he has shown ‘love’ on Heartburn and ‘I Love You B!tch’, but that’s the closest you are gonna get to P! going full-blown R&B: “Never catch P on the girl song
I smack sh!t out your “We Are the World” song/Get a hater scary
My defense intense Refrigerator Perry!”

Freeway admits he is a ‘Prisoner’ to this rap, but he and Sean are out to ‘Bea Smith’ the game over a Marco Polo beat. Then in ‘Resident Evil’,  P! comes with lyrics that would make Capcom proud and even Eminem drop his jaw: “Rape an atheist ’til the bitch say, “our father”/Hail Mary/Brenda Had a Baby
Threw the baby out the window, now Brenda is going crazy”!

If that was any other artist, for the sake of argument – Jay- who said that same lyric, Hip Hop fans would be up in arms and adding on to his illuminati accusations.

FANS PRAYERS ANSWERED

Call it posse cut of the year. After wishes and petitions, a true Boot Camp Clik/Wu-Tang Clan track has come true in the Nottz produced ‘Clans & Cliks’. This is far too epic to not have a video produced for it, or even performed on stage. This is critically acclaimed and well received, one must wonder – are there still unreleased ODB & P! Verses enough to make that joint album we have always wanted?

It is great that the album closes out with Rap Professor which was released exactly a year after his passing, followed by ‘Price’s Family’, which further confirms what was alluded earlier about Sean’s way of life with Bernadette’s few bars which also go impressively hard, along with a fun fact which Bernadette reveals in the interview below…

This is a near perfect album to come out this year. Not because Sean is no longer here in the physical, but I say near perfect because as solid and flawless as it is, there are certain elements us fans wanted which may not be there, for example, some fans wished there was a 9th Wonder beat in there somewhere, a good ol’ Heltah Skeltah duo cut, or in my personal case – a Random Axe cut. Again these are minors, and like Dru-Ha explained in the video above, Bernadette put the body of work together that is Imperius Rex, approving the features, putting verses together, and she did it 100 times better than Puff Daddy did with Born Again – no wait – 1000 times better why? Because Sean Master Flex liked that number. P!

KOOL G RAP LIVE @ 2Funky Music Cafe, Leicester UK June 28, 2017

REVIEW BY MICHAEL GRANT, C.E.O. of RePPiN4U

1992: I was but a 12-year-old. Missed an entire year of secondary education. The stories about my cousin’s cassette tapes, are legendary. To my knowledge he still has them. A lot of tunes I used to rock to but never knew who the artists were and it wasn’t all the time I was exposed to Yo! MTV Raps. Ill Street Blues was one of those tunes. The man responsible was in the UK in 1992, rocked every crowd possible, left, and was not seen in the UK again….

UNTIL NOW.

Kool G Rap Live2017: ‘Mumble Rap’ reigned supreme. Grime is misunderstood in America as UK Hip Hop, some fans just couldn’t give a DAMN despite Kendrick’s continuous effects to push boundaries, while others were stuck in 2001 playing Ether while sleeping at 4:44am. This has called for the Don himself to return, your rapper’s favourite rapper, the man who Nas said wrote the Hip Hop bible. The people of Leicester and surrounding areas came together to witness history. Kool G Rap, new album in tow, rocking the UK for the first time in 25 years.

The 2Funky Music Cafe’s strategy of exposing as much local talent as possible are a bit hit & miss. The show started with a Polish Hip Hop group whose name I didn’t quite catch unfortunately, A lot of what they performed was in their respective language and whatever they were saying in their lyrics – they meant it. Massive props go out to them as the UK continues to become more multi cultural and those who support Brexit for the wrong reasons cannot stop the power of Hip Hop.

Trademark Blud followed alongside DJ Tricksta and dropped an impressive 20 minute set. His ferocious delivery over tongue in cheek like beats and political subject matter left the crowd wishing he could have been on a little longer. If an opening act gives you that feeling, you are going places.

Leicester’s own Shakezpeare & DJ Roll Blunt were determined to top Trademark Blud’s performance, and They did. Even with sound check problems which Shakezpeare easily overcame by dropping hot freestyles like a professional, and that is what Hip Hop is about, to be able to adapt in any situation. His mission was a simple one – make sure his performance was so on point that no one apart from G Rap could follow him. Were Galaxy High from Sweden up for the challenge?

This is the part where I shed sympathy for Galaxy High, what I saw were two talented emcees who struggled to keep the crowd rocking which brings me to my point earlier: Too many opening acts may have been hit or miss, or maybe Galaxy High were positioned wrong in the line up sequence, or maybe the crowd were just ready for G Rap, it was the middle of the week, some may have had to commute the following morning, maybe 4 opening acts might be overkill. It is understandable in one aspect, keeping the crowd waiting for the main event for too long can also be a disadvantage.

15 minutes before G Rap took the stage, it was up to DJ Anthony Mace to set it, and it doesn’t start any better with a series of Mobb Deep tracks to remember Prodigy. The time when G Rap finally jumped on stage was the time the show was scheduled to finish according to Facebook which proves when it comes to gigs you cannot believe what Facebook says by gospel.

Performing the biggest tracks like ‘Take Em to War’, ‘Ill Street Blues’, ‘Streets Of New York’ & ‘Fast Life,’ the Don showed he never lost it. He takes time out to remember Prodigy in his own way by performing ‘The Realest’, in which Prodigy featured, and G Rap reveals a true story on stage of how Prodigy impacted him.

 

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Photo courtesy of @Kip1979_kipp on twitter

An interesting moment was when G Rap performed ‘First N!&&@’. Many of us know the DJ Premier produced version but on this night the Dr.Dre version was blasting through 2Funky Music Cafe’s airwaves before a capacity crowd.

 

The Don closes out his 45 minute set with one of his newest singles from the Return Of the Don album – Wise Guys which features Freeway and Lil Fame of M.O.P. The crowd response was greater than I imagined, as usually a predominately 90s Hip Hop orientated crowd look a bit confused and unfamiliar, but that was not the case here.

Admittedly Kool G Rap was not on my essential ‘see live’ list but looking at it in

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Photo courtesy of @Kip1979_kipp on twitter

retrospect, I’m glad I did see him live. Leicester saw history before their very eyes on this night, and G Rap’s time was yours – he embraced his fans and engaged in full conversation after the show, taking pictures and signing memorabilia, even with Prodigy’s memorial service which took place the following day.

 

Massive respect and salutations to The NGE (New Golden Era) massive and crew for looking out for a brother. They are some good dudes right there, just don’t front on them! Last person who did that got BLAOW! In their mouth corner! Others talk about it while they live it and that’s the Hip Hop we support over here.

Take a bow Kool G Rap! He’s Out For That Life!

 

RAEKWON – THE WILD

RELEASE DATE: March 24, 2017, ICEH2O RECORDS/EMPIRE

Written by Michael Grant, C.E.O. of RePPiN4U, member of GGO – Ghetto Government Officials and Wu Worldwide DJ Coalition

IN THE LAST EPISODE…

“Usually, the chef will tell their customers, what is in the dish that they prepared for them in detail. Raekwon has done no different in many interviews prior to this album coming out months in advance. So why didn’t Rae’s loyal heads not take heed? While this album has been received well by casual hip hop fans, the hardcore fan base are not so pleased, especially in a time when Raekwon most notably trashed the Wu album – A Better Tomorrow…”

Raekwon The wildThis basically summed up F.I.L.A. Fly International Luxurious Art. I saw what Rae was trying to do. We all did, but I stand by what I said last time. He let his fans know before hand and as a result, the fans let themselves down with their expectations. Rae’s most hardcore fans want the Wu-Tang sound and nothing less. But with RZA’s production sounding more left field as of late, this has led our Wu generals looking elsewhere for beats that will appeal to their fan base.

RZA has handed the Wu keys over to Ghostface Killah if we are to see a new Wu Album, and who is Ghost’s longtime tag team partner? The Chef himself, who has heard the constructive criticism regarding F.I.L.A. and so this is another attempt to fine tune his sound to appeal to loyal fans and new fans. We recently learned that Justice League will be producing on the new Wu Album, and they are featured here on this new project – The Wild, which has no Wu features at all, and dedicated to Mel Carter. With all this in mind, is this an early inkling to what the new Wu Album could sound like?

No messing about, straight into the first single. ‘This Is What It Comes Too’ right? Raekwon is bringing the ferocious flow back over classic drums brought into 2017. A remix has recently surfaced featuring that man who had been gone for 36 Seasons. Now not for ‘Nothing’, Rae comes through with sonics which resemble the Wu-sound. You will not find Kung Fu skits here, but instead you hear parodies based on the real in the form of a guy singing about shorties getting their head right…

Talking of stories based on the real, Rae takes you back to April 2, 1939 with a sure-fire album highlight, sending a tribute to ‘Marvin’ Gaye. The track is a soul drenching winner thanks to the hook supplied by Cee Lo Green. The soulful flow continues on into ‘Can’t You See’. If the listener is not zoned out at this point with a tear in their eye… I don’t think this album is for them.

This is the ‘controversial’ track of the album. Wu-fans worst nightmare has come true in ‘My Corner’. All the Lil’ Wayne hating memes, all the pictures of his album in the toilet or set on fire, has all come to bite Wu-Fans in their backside. The chief hip hop villain joins the Chef here and to make matters even more disturbing, Mr Carter Jr brings his A-Game in his rhymes over a vicious frantic beat because he knew he had no choice against a hostile Wu-audience.

Rae shows a bit of a comedic side to him which you don’t see very often, introducing the ‘F**k You Up Card’, a young kid (whose voice sounds suspiciously like Rae but switched up and we have seen Rae do this sort of thing before – remember Clyde Smith?) puts Rae on to a service where he can get his enemies taken out for a small fee. 02-Andra-Day-wim-crop-bb31-kdln3-billboard-1548

In ‘M&N’, Rae and P.U.R.E. go bar for bar on some Grid Iron Rap style. Then Andra Day provides her vocals on the 2017 dedication to the incarcerated in ‘Visiting Hour’.

‘The Reign’ is Raekwon’s new victory championship belt anthem. the production on this is epic and sounds like Rae raided the Maybach Music studios and put the beats to good use. Then Rae brings more soul and that feel good factor as he puts the ‘Crown of Thorns’ on his head.

G-Eazy looks like a fan whose wish of rhyming with his long time idol come true. He’s on point in ‘Purple Brick Road’ when he states that 20 years from now he would be still rock the purple tape. Go back a bit into the track and the production intensifies in glorious fashion.

However was the Chef being a bit too experimental here? ‘You Hear Me’ sounds out-of-place, could have passed as a bonus track, or a track where Rae edited out the trap artists that may have featured with him. Granted Rae rhymed over the trap sounding beat with ease, it’s not something he should do often, or better still, kept off this album – it really doesn’t suit the body of work which is presented here.

That’s the only mis-step on The Wild, otherwise this is a massive improvement over the last offering. If you imagined Raekwon as a stand alone artist and Wu-Tang did not exist, this is the album that reflects that imagination. Even Lil Wayne’s appearance is not a factor (remember Nas & Damian Marley’s Distant Relatives?) Raekwon has finally hit his stride as far as a non-Wu endorsed offering.

The time is still running on Cuban Linx 3, but for now, this is a nice album to take minds away from the WWE-like nonsense they call ‘beef’ that’s happening currently.

 

 

Hell Razah @realhellrazah presents #GGO Family Tree (updated 3/13/17) 

Ghetto Government Officials have welcomed RePPiN4U in their great movement! The elevation continues!

QueenTheProphet.com

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Hell Razah Music, Inc.
President: Chron “Hell Razah” Smith
Vice President: Scripture

Hell Razah Music, Inc. Artist Roster: (GGO Ghetto Govt Officialz)
Hell Razah @heavenrazah
Yung Razah @yung_razah
Automatik Greatness @automatik7
Scripture @scriptureggo
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Ace Jimenez @chosenkingz

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Miverson Beats (GGO RI)
Hell Razah Music, Inc. Official DJ’s

Admiral DJ Yello (Wu-Tang DJ Collation)

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DJ Fiyaa

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Alex Schnaible (Follow Me Design)
Hell Razah Music, Inc. Film Production:
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Hell Razah Music, Inc. Video Production:

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