RAEKWON – THE WILD

RELEASE DATE: March 24, 2017, ICEH2O RECORDS/EMPIRE

Written by Michael Grant, C.E.O. of RePPiN4U, member of GGO – Ghetto Government Officials and Wu Worldwide DJ Coalition

IN THE LAST EPISODE…

“Usually, the chef will tell their customers, what is in the dish that they prepared for them in detail. Raekwon has done no different in many interviews prior to this album coming out months in advance. So why didn’t Rae’s loyal heads not take heed? While this album has been received well by casual hip hop fans, the hardcore fan base are not so pleased, especially in a time when Raekwon most notably trashed the Wu album – A Better Tomorrow…”

Raekwon The wildThis basically summed up F.I.L.A. Fly International Luxurious Art. I saw what Rae was trying to do. We all did, but I stand by what I said last time. He let his fans know before hand and as a result, the fans let themselves down with their expectations. Rae’s most hardcore fans want the Wu-Tang sound and nothing less. But with RZA’s production sounding more left field as of late, this has led our Wu generals looking elsewhere for beats that will appeal to their fan base.

RZA has handed the Wu keys over to Ghostface Killah if we are to see a new Wu Album, and who is Ghost’s longtime tag team partner? The Chef himself, who has heard the constructive criticism regarding F.I.L.A. and so this is another attempt to fine tune his sound to appeal to loyal fans and new fans. We recently learned that Justice League will be producing on the new Wu Album, and they are featured here on this new project – The Wild, which has no Wu features at all, and dedicated to Mel Carter. With all this in mind, is this an early inkling to what the new Wu Album could sound like?

No messing about, straight into the first single. ‘This Is What It Comes Too’ right? Raekwon is bringing the ferocious flow back over classic drums brought into 2017. A remix has recently surfaced featuring that man who had been gone for 36 Seasons. Now not for ‘Nothing’, Rae comes through with sonics which resemble the Wu-sound. You will not find Kung Fu skits here, but instead you hear parodies based on the real in the form of a guy singing about shorties getting their head right…

Talking of stories based on the real, Rae takes you back to April 2, 1939 with a sure-fire album highlight, sending a tribute to ‘Marvin’ Gaye. The track is a soul drenching winner thanks to the hook supplied by Cee Lo Green. The soulful flow continues on into ‘Can’t You See’. If the listener is not zoned out at this point with a tear in their eye… I don’t think this album is for them.

This is the ‘controversial’ track of the album. Wu-fans worst nightmare has come true in ‘My Corner’. All the Lil’ Wayne hating memes, all the pictures of his album in the toilet or set on fire, has all come to bite Wu-Fans in their backside. The chief hip hop villain joins the Chef here and to make matters even more disturbing, Mr Carter Jr brings his A-Game in his rhymes over a vicious frantic beat because he knew he had no choice against a hostile Wu-audience.

Rae shows a bit of a comedic side to him which you don’t see very often, introducing the ‘F**k You Up Card’, a young kid (whose voice sounds suspiciously like Rae but switched up and we have seen Rae do this sort of thing before – remember Clyde Smith?) puts Rae on to a service where he can get his enemies taken out for a small fee. 02-Andra-Day-wim-crop-bb31-kdln3-billboard-1548

In ‘M&N’, Rae and P.U.R.E. go bar for bar on some Grid Iron Rap style. Then Andra Day provides her vocals on the 2017 dedication to the incarcerated in ‘Visiting Hour’.

‘The Reign’ is Raekwon’s new victory championship belt anthem. the production on this is epic and sounds like Rae raided the Maybach Music studios and put the beats to good use. Then Rae brings more soul and that feel good factor as he puts the ‘Crown of Thorns’ on his head.

G-Eazy looks like a fan whose wish of rhyming with his long time idol come true. He’s on point in ‘Purple Brick Road’ when he states that 20 years from now he would be still rock the purple tape. Go back a bit into the track and the production intensifies in glorious fashion.

However was the Chef being a bit too experimental here? ‘You Hear Me’ sounds out-of-place, could have passed as a bonus track, or a track where Rae edited out the trap artists that may have featured with him. Granted Rae rhymed over the trap sounding beat with ease, it’s not something he should do often, or better still, kept off this album – it really doesn’t suit the body of work which is presented here.

That’s the only mis-step on The Wild, otherwise this is a massive improvement over the last offering. If you imagined Raekwon as a stand alone artist and Wu-Tang did not exist, this is the album that reflects that imagination. Even Lil Wayne’s appearance is not a factor (remember Nas & Damian Marley’s Distant Relatives?) Raekwon has finally hit his stride as far as a non-Wu endorsed offering.

The time is still running on Cuban Linx 3, but for now, this is a nice album to take minds away from the WWE-like nonsense they call ‘beef’ that’s happening currently.

 

 

Hell Razah @realhellrazah presents #GGO Family Tree (updated 3/13/17) 

Ghetto Government Officials have welcomed RePPiN4U in their great movement! The elevation continues!

QueenTheProphet.com

hr_musicinc

Hell Razah Music, Inc.
President: Chron “Hell Razah” Smith
Vice President: Scripture

Hell Razah Music, Inc. Artist Roster: (GGO Ghetto Govt Officialz)
Hell Razah @heavenrazah
Yung Razah @yung_razah
Automatik Greatness @automatik7
Scripture @scriptureggo
The Book of Daniel/ Chief GGO Tribal Nation @_bookofdaniel
Rico Deniro @iamricodeniro
Ace Jimenez @chosenkingz

Hell Razah Music, Inc. In-House Production:
Dr. G (UK) @drgproductionz drgbeats.com (Executive Officer)
Ark of the Covenant Productions (GGO CT)
St. Peter (GGO CANADA)
Sneak Vandel (GGO/ZUBulliez) @sneakvandel
Miverson Beats (GGO RI)
Hell Razah Music, Inc. Official DJ’s

Admiral DJ Yello (Wu-Tang DJ Collation)

DJ FLIPCYIDE (Wu-Tang DJ Collation)

DJ Fiyaa

DJ Kenni Starr

Hell Razah Music, Inc. Graphic & Design Team
Culture Freedom culturefreedom_artwork@yahoo.com (Executive Officer)
Ron Degiar @rondegiar

Alex Schnaible (Follow Me Design)
Hell Razah Music, Inc. Film Production:
Frank Meyer

Jason Valdez

Michael Moote

Hell Razah Music, Inc. Video Production:

Nick Ruiz
Hell Razah Music, Inc. Official Apparel
iapparelstore.com

View original post 657 more words

DE LA SOUL LIVE @O2 Insitute, BIRMINGHAM – MARCH 3, 2017!

WRITTEN BY MICHAEL GRANT, C.E.O. OF RePPiN4U

HISTORY IN THE MAKING.

At this time, I feel bad for the people who did not make this show. I shouldn’t, but I do. In the early part of this decade, De La Soul were teasing signs of a long-awaited return to give fans that well needed fresh air… first the Dilla EP, then they had their ‘tribute’ to the Wu-Tang Clan, which I had to put in quotes because it was the true tribute, but was overshadowed by a certain Canadian light-skinned, high-pitched voice artist whose unnamedso-called tribute was about checking a girl in a club (??????) and wanted to ‘controller’ from the ‘Hotline Bling’. Then they proved that they still ‘God It’ with Nas. South Park poked fun at the Kickstarter concept, but one good thing came out of it – De La Soul’s new album ‘And The Anonymous Nobody’. What do you think was going to come next? An impending tour.

The news broke about the tour in the later months of 2016… yeah you know, that year which was ridden with celebrity deaths, the UK’s decision to leave the EU, and the end of the Obama era going into the Trump era. So many people caught up in all of that, and De La Soul were more concerned about coming to the UK. I rephrase the opening statement. a part of me feels bad for those who did not make the show…

De La Soul arrived on British shores, and met a woman with bad wind whose name was ‘Doris’. They are used to hurricanes, rain hail snow and earthquakes… they were not about to be fazed by someone named DORIS????

Entering the sold out O2 institute a little before 8:15pm and Jungle Brown took the stage for a lengthy 45 minute set, which was well deserved because these guys had an impressive track record of artist openings. The likes of Big Daddy Kane and Ghostface Killah to name a few is more of a who’s who. Performing their big tunes including H.I.S.T.O.R.Y, their style complemented the main attraction and the audience without having to pull out the secret weapon of the crowd cheering along to the disapproval of mumble rap.

In between sets was very unusual, there was no DJ in between to keep the crowd hype for 30 minutes while waiting on the arrival of the trio. The weird thing about that was the 30 minutes flew by, well at least in my mind.

Not a second after 9:30pm, DJ Strike takes the turntables and announces that DJ Maseo was not in effect which was a shame, but Posdnous and Dave jumped on stage!

NOTE TO SELF: ALWAYS BUY A STANDING TICKET. EVEN IF YOU HAVE PHYSICAL DIFFICULTIES.

Performing their signature hits such as ‘Oooh’, ‘Much More’ and ‘Stakes Is High’, they took a moment to stop and acknowledge the six people sitting upstairs and ridiculed them all in good fun. Now while I found this entertaining and hilarious as did everybody else, I seem to recall a certain ‘college dropout’ who was associated with a woman who engaged in carnal activity and put it out for the world to see, getting cursed out by social media for doing the same thing.  Just goes to show what we are like behind our devices.

de-la-soul-article1

Photo courtesy of Mr Keyes

Another great highlight was Pos & Dave acknowledging J Dilla, Phife Dawg and Sean Price, but they feel the same way as Busta Rhymes when they proclaim why we as people appreciate people more after they gone rather than while they are here. Busta said that and I agree 100-1000! Unless I’m a true fan of someone I’m not quick to throw YouTube videos all over my timeline when somebody returns to the essence!

HISTORY ABOUT TO UNFOLD…

However Birmingham was not ready for the element of surprise and maybe the biggest highlight of the night. Just after performing a verse or two of ‘Buddy’, Pos & Dave big up all their fellow Native Tongues. Unknowing to most, Black Sheep Dres was lying in wait! Birmingham is not used to surprise guests coming through to blaze the stage. Usually that honor goes to London or Manchester. In a capacity crowd full of people of all ages, it was the 40 and over portion of the crowd in complete disbelief and comprehending who they are witnessing on stage performing their favourite hits. When it came to ‘The Choice is Yours’ however…the younger portion of the audience were about to be schooled…

For 20 years, I had been clubbing, and the DJs would always play the same tired songs, particularly that Faith Evans/FatMan Scoop track. Easily top 5 all-time club classic yet annoying track. On this day, I was proud to see the younger audience finally realising that the voice behind ‘Engine Engine #9’ was standing in front of them and bringing the true essence. Yes it might have took them a moment to realise the part with FatMan Scoop asks

pos

Photo courtesy of Mr Keyes

‘who’s f**k!n tonight’ was not coming! Dres & De La had the whole capacity crowd laying low anticipating to jump up after ‘pick it up, pick it up!’ during said portion of the song apart from one person with a glaring white coat on who De La single-handedly pointed out in ridicule! This is an old school jam! Not your usual show where all the stars can see on stage were your phones! (Even though that happened too…standard procedure!)

Usually the surprise guest will leave the stage after their moment but not Dres, and De La wouldn’t want it any other way. He became their unofficial hype man for the remainder of the night, but at 10:15pm I don’t know who De La were fooling trying to say goodbye and peace to the crowd after performing ‘Saturday’ and leaving the stage…  nobody budged. De La realised the crowd were not taking the bait and came back out. Finally finishing on ‘Me Myself & I’ and ‘Name & Number’, De La & Dres closed their hour set…

MEMORY OF…(US)

As I constantly hum the track featuring Estelle while gathering my closing thoughts, even if the show went on for another 30 minutes, it would not be enough to cover three decades of great innovative music from De La Soul, so yes, I’m guessing everyone left the O2 Institute with a bittersweet feeling of what track they wanted De La to perform. In my case, being the current purist I am, I wanted to hear at least ‘Pain’ or ‘Royalty Capes’ from the new album. Or ‘I C Y’all’ from AOI. Being as it was a sold out event, I was surprised, disappointed and almost remorseless towards those who couldn’t make it. Yes I feel bad for them but as I write this, the remorse level decreases. On this night, I witnessed history. Two acts for the price of one, and I knew of this show in the closing months of 2016… so to that I say this to quote a De La Soul hook: “If money makes a man strange, we have to re-arrange that…”

 

IRON WIND & PRIMORDIAL EMCEE – PRIMAL WINDS

RELEASE: FEBRUARY 10, 2017, WRITTEN BY MICHAEL GRANT – C.E.O. of RePPiN4U

Eric B & Rakim. EPMD. Havoc & Prodigy. Method Man & Redman. Raekwon & Ghostface. M.O.P. Capone ‘N’ Noreaga. Skyzoo & Torae. Conway & Westside Gunn. Some of the Hip Hop duos that have stood the test of time through the annuls of Hip Hop history.

16523999_10155031520927360_592024729_o

CLICK HERE TO PURCHASE ALBUM

Iron Wind, more known for his detailed stories of Feudal Japan in his albums, has once again entered the battlefield, this time bringing along Primordial  a.k.a. District Prime who  won’t hesitate to engage in battle rap and explore the sciences. Having both appeared on each others separate projects, it was only right that the next logical step was to come together for a collaborative album.

2017 sees the pair come together  and become ‘PRIMAL WINDS’ in ‘T.Dot Stand Up’ which takes them both away from their comfort zone, and they are kind enough to bless RePPiN4U with an exclusive advanced copy of the album before it touches down to an iTunes store near you.

The album kicks off with ‘T.Dot Stand Up’ and  it’s their anthem praising the capital of the Maple Leaf country and how the city embraces the true essence of hip hop, and letting the world know that Toronto has been on the map way before he who just wanted ‘One Dance’ and a ‘controller’…

…so with that in mind they turn their attention to those who are ‘trapped in the 90s’ with ‘Bring It Back’, and then bless their ears into 2017 by flipping the sample Pete Rock used for ‘Straighten It Out’ in ‘Our Generation’. My guess is their first track will wind up being a video but this should get the visual treatment too. I believe with this, not only do they have a highlight on their hands, they will attract a wider audience instantly.

The pair remind us that they are just like us normal folk, no different, we gotta pay those ‘Bills’. Four tracks in and I strongly suggest that you go out and support this project. I give these guys props because their track sequence is on point in terms of track titles. Bills

lucy-lovesick

LUCY LOVESICK

need to be paid so they must go ‘On The Grind’ complete with classic scratches used as the hook which are so relevant., and of course, if you are on your grind, and the bills are paid, you can approach the opposite sex with confidence and let her know how she is ‘So Sexy’ over a nice Motown like beat you would hear somebody like the Temptations harmonize over.

Seven tracks in and the realization sets in that this project could be up there with the best of underground projects this year. It’s not easy in the ‘Concrete Jungle’ though. Here you see Primal Winds flowing effortlessly over a sonic which sounds like it should only be played at night while cruising in a convertible.

Primal Winds are very proud of their home of Toronto…however they make it painfully clear that Toronto is not all roses and  green pastures.

primec

PRIMORDIAL

They align themselves with Cuban Pete on the track – ‘City Pulse’, with a backdrop sounding like an episode of CSI giving vivid storytelling on what happens when the sun goes down in Canada’s capital. This is complemented by ‘The Stakes’, where we see the two hit the casino and do just that – raise the stakes on their rhyming skills against any challenger.

‘Tonight’ features the sultry vocals of model Lucy Lovesick who presumably takes the role of ‘Hip Hop’ (as we like to refer to the culture as ‘H.E.R.’) but can also be seen as a double meaning as this sees the two take a slightly smoother approach in the music.

In ‘Making Moves’, the duo will do what it takes to get great reviews. (well almost… they won’t pay you to play their records or threaten to chop your head off or anything like that!) If you are not convinced then see the last review of Iron Wind’s The Warrior Inside on this site. Heads would have realised that this was the next logical chess move for the two emcees.

Die-hard Wu-trainspotters will recognize the beat that’s flipped here in ‘Afterparty’. This is some feel good vibe compared to the grim and awareness the Sunz of Man portrayed in ‘Israeli News’. The album closes out so soulful as the duo give their ‘Ode To Hip Hop’, as they tell their heartfelt stories of their hip hop journey, you cannot help but nod to it in celebration. These guys have a great ear for beats and this project is sure to get regular spins.

16492117_10155031541872360_1519618043_o

THIS IS SWIFT JUSTICE RESTORED TO TORONTO.

This is quality music that shows versatility and a different side to the emcees that we have known to love over the past decade, which is always good because you don’t want 10 albums from the same artist saying the same things and no growth. Stay tuned on RePPiN4U later this year and on our show on www.wild1radio.com as we are sure to be playing these tracks and hearing in more depth from Iron Wind and Primordial.

PURCHASE ALBUM ON BANDCAMP HERE

FOLLOW PRIMORDIAL EMCEE ON TWITTER HERE

FOLLOW IRON WIND ON TWITTER HERE

DOM PACHINO LIVE @2Funky Music Cafe, January 29, 2017!

REVIEW WRITTEN BY MICHAEL GRANT,  C.E.O. of RePPiN4U

August 5, 1997. The day Wu-Tang fans around the world was about to experience the flood RZA was talking about on a Tim Westwood show. We had come to an end of the Abbott’s five-year plan. What was coming next from Hip Hop’s most influential collective? A six-man SWAT team called Killarmy. Their debut album Silent Weapons For Quiet Wars, dom-pachino-leicestercontinued the signature Wu-Tang Sound but instead of Shaolin Kung Fu film samples, it was war movie quotes headed by producer 4th Disciple. Along with Sunz Of Man & Shyheim, Killarmy remain one of the most well-known of Wu-Tang affiliates.

Fast Forward 20 years later, and we see Killarmy’ Voltron break down into the lions and have become their own generals in their own right. Dom Pachino a.k.a. P.R. Terrorist in particular has learned from his Wu-Tang brethren, spawned a clothing line, launched Napalm recordings and has his own array of ammunition in artists including Bugzy Da God who performed with him live in the 2Funky Music Cafe in Leicester.

Massive shout out to PC The Producer of FATP (From Across The Pond UK Hip Hop Show) and part of the RePPiN4U administration for opening the night with a unique twist – instead of the usual 90s Hip Hop classics played by most DJs (which is appreciated, by the way) he played a selection of UK Hip Hop and Wu-affiliate cuts which was a true testament to the heads in attendance who travelled from the likes of Nottingham, Wales, all the way from Sweden, and all showed their love to the man who has put UK Hip Hop on his back.

PC would then be joined by DJ Roll Blunt who rallied the fans in attendance as the opening act – Shakezpeare stormed the stage with his high-octane energy and ferocious delivery on the mic performing his set including the Bronze Nazareth produced ‘Train Of Thought’

Half an hour later Bugzy Da God comes through and keeps the momentum going. It wasn’t necessary to use this technique, but Bugzy hit the crowd with his disdain for mumble dps-2rap/trap music by performing ‘Nail In the Coffin’ which is his switch up of Common’s ‘Sweet’. That secret weapon always works. Bugzy was firing on all cylinders with requested 4th Disciple produced tracks, and just in case a few people started to rub their eyes or hide their yawns with their hands, Dom Pachino came out all blazing saddles, telling people to Wake the f- up. Terrorizing his way through his hits, most notably ‘Problem Child’, which he explains is a very personal record, and ‘Napalm’, which is a single with a sure-fire video waiting to dps-1happen from his P.R. Terrorist Vs Dom Pachino project. With the crowd reluctant to go home and even management caught up in the vibe, the 11pm curfew was thrown out the window but Dom ended the set with the track which put Killarmy on the map in the first place – Wu-Renegades.

There were a few hiccups along the way with the decks not playing certain tracks but the professionalism of the performers knew when it was time to drop killer a capella freestyles, which is the backbone to a real emcee. The crowd turnout was also less than anticipated, but maybe it was for the better. After all – like Raekwon says – this show was ‘Only Built 4 Cuban Linx’ and with that in mind Dom, Bugzy and Shakespeare performed like it was a capacity crowd in Glastonbury. That has to be respected.

Look for the coming RePPiN4U Exclusive interview with myself, Dom & Bugzy elsewhere in this blog!

dpi-104

All photographs taken courtesy of KULVADER PHOTOGRAPHY

 

 

A TRIBE CALLED QUEST: We Got It From Here…Thank You For Your Service

RELEASED: NOVEMBER 11, 2016, Epic Records/Sony Music

Review by Michael Grant, C.E.O. of RePPiN4U

On this day, we are celebrating  5 years of promoting great music and gaining respect and credibility from fans and artists. To this I could say “We Got It From Here…Thank You For Your Service”. But we gonna keep going. Trap music? Mumble Rap? Freestyling from smart phones, WE DON’T DO THAT OVER HERE!

So as a celebration, I decided to review this album, which is a celebration of iconic Hip Hop pioneers A Tribe Called Quest, when you mention the words Hip Hop, these are the guys that instantly come into people’s minds who define it and are mentioned in the same sentence with groups such as Public Enemy, Eric B & Rakim, Wu-Tang Clan, De La Soul.

March 22, 2016 was a horrible day to wake up to. Checking your social media has become one of the regular things to do in the morning with brushing your teeth and changing your brief. The loss of Phife Dawg rocked Hip Hop to its foundation and is up there with the losses of Big Pun, Ol’ Dirty Bastard, and J Dilla, talking of which, was the first thing on my mind when I heard the news. I remembered Phife’s track ‘Dear Dilla’ which I consider very underrated and slept on. The lyrics in that, looking at it now made me think ‘whoa’… did Phife kinda know he was going? Almost like he dedicated the song to himself?

Hold tight, this ain’t the last time I see you
Due time, that’s my word, I’mma see you
Frontin’ ass rappers now here stealin’ intros
Posin’ like they hard when we know they all see through…” 

actq-new-albumWhile Hip Hop was in mourning for the longest since Sean Price, A Tribe Called Quest reconciled and secretly recorded a comeback album on the back of their recent reunion tour, and two weeks before the allotted release date, they dropped the bomb on us. Yes, half of admitted to be skeptical after the blemish that was ‘The Love Movement’, the rest of us were praising the most high that in the midst of this ‘mumble rap’ era, an album would come along to take us away from all that and take us back to the days of Midnight Mauraders. This is their first album after 18 years, and their ‘true’ final album. Have they gone out in a bang? Or will The Love Movement be the last image that fans will be forced to remember through the ages?

As you hit play on your iTunes (or in my case, CD which I highly recommend you do) you are instantly reminded of why you love ATCQ in the first place. ‘The Space Program’ does just that. You are glad that throughout the history, they finally made something happen here.

‘We The People’ is insanely amazing. The art of the Hip Hop anthem has not been forgotten… when this drop in a party or in a car – THAT’S A WRAP. What’s better, it could not have come at a better time in Trump’s America with Q-Tip’s tongue in cheek humor with the hook, while Phife brings a scathing verse.

The niceness continues will ‘Whateva Will Be’. So far J Dilla is up there smiling and thinking -‘my boys have done it again’ with the Nairobi Sister’s Promised Land sample, where the subject matter of social injustice and Trump’s America continue.

It’s from here now that ATCQ begin to diverse their music whilst keeping it them. A collaboration with Elton John would be the last thing on hip hop heads minds, but when you have been in the game as long as these guys, your exploration of music will branch out. Here a returning Bussa Bus appears in  a ‘Solid Wall Of Sound’ in his outta order Jamaican persona, it makes for a very interesting track for listeners to absorb a bit more than the first three tracks previous. It serves as a great intro  however to ‘Dis Generation’ where we see the whole tribe minus Consequence going line for line. Their diverse direction starts to ring the ears of Andre 3000 who comes through in ‘Kids’, blending in nicely like he’s part of the tribe too. The way he and Q-Tip describe the way we want our kids to believe something when in reality it’s harder to explain the harsh facts.

In ‘Melatonin’, Q-Tip goes for dolo while Abbey Smith provide extra vocals. great track but I strongly advise NOT to use the drug as it’s design is to help people who have trouble sleeping, and this is a project that 7 tracks in, should NOT be slept on.

I like the fact that ATCQ have maintained some nostalgic elements, like in ‘Enough!!’ The classic instruments used in ‘Bonita Applebum’ are brought back here to continue to please their long time fans and attract new fans in the process. This is one of those tracks that will become a favourite in the long-term after several listens. I also like te fact that ATCQ treated the project as if it was released some 20,25 years ago by including a ‘Side A’ and a ‘Side B’ in the project. Consequence kicks the B Side off with ‘Mobius’, but it’s Busta Rhymes who runs away with this one, channelling his inner Woo-Hah!! into the track! Very interesting how the rest of the tribe stand back and let these two go in, making it sound like ATCQ 2.0.

snl-a-tribe-called-quest-busta

Just as Bussa Bus tore up Mobius, Phife Dawg puts mumble rappers on blast in ‘Black Spasmodic’: “Trash rap the dead, pu$$y kill the chirping/No more f**k boys, sit down, sh!t can only get worse/And how do you touch mic with flows uncertain?
Speak game dry, boy, that flow ain’t workin’/Folks throwin’ items, them vex and cursin’
F**k made me wanna see these n!&&@$ in person?” Consider it the preparations for the ‘Killing Season’, which brings Talib Kweli and Kanye West into the mix, who thankfully for you hip hop purists has been relegated to just the hook. Also it’s great how they showcased Jarobi & Consequence here.

“Have you ever loved somebody?
Way before you got to dream?
No more crying, he’s in sunshine
He’s alright now, see his wings…”

Another track I consider a growing gem outside the obvious favourites is this one right here – ‘Lost Somebody’, where their expressions for their loss in Phife Dawg becomes very moving.

Even though ATCQ have moved forwards with their music, they decide to try ‘Movin Backwards’ one time and bring Anderson Paak with them. Here Jarobi throws shots at Fetty Wap and all the trap lords, leading by example set by Phife. Then Kendrick chimes in for a memorable, Source Hip Hop Quotable quality verse in Conrad Tokyo while Phife expresses his disdain for the presidential election. Imagine if he actually saw the results in the physical.

‘Ego’ sees Q-Tip going for dolo once again, bringing more nostalgic sounds into it provided by musician Jack White. Great to see him use the wordplay and break down various forms of Ego, even onto himself: “Ego make you violent or govern like a tyrant/Or switch a dictionary’s word from vibrant to vivrant/Fool the thirsty people, selling tap water in bottles/Fooled a girl with NYU scholarship and now she models
Ego has no ending, has people pretending/Religious zealots get jealous ’cause guys want their defending…”

Finally, ‘The Donald’. Which is a unique tribute to Phife which features the Trini Gladiator in his own ode. Salute the man known as Don Juice.

…And Phife Dawg is still not dun! His final solo album will be touching down in our stores sometime next year and that will be even more anticipated than ever now. Let’s keep it 100 – when his first solo dropped, not many of us noticed, all eyes were still on Q-Tip.

A part of me doesn’t want A Tribe Called Quest to end even though they can say they have on a great note. A part of me wants Consequence and Busta to become official and be ATCQ 2.0. They have successfully erased the lasting image The Love Movement had and crafted an album we never saw coming and were given just 2 weeks notice to prepare. 2016 has been a surprise year for the Native Tongues, when just a few months prior, De La Soul blessed us with new music too. Special mention to Busta Rhymes who really went in with this project, making both Dilla and Phife proud, an reminding us of how versatile he really is. While I personally would give the Album Of The Year award to Common, ATCQ is also worth deserving because of the story behind it.

TAKE A BOW GUYS, THANK YOU FOR YOUR SERVICE.

DJ DONOR: MY KINDA HIP HOP MIXTAPE

Too many people are on your social media are talking about Kanye West Sacramento rant. Too many people are on your social media are talking about Lil Yachty acting a fool. Too many people on your social media are worrying about who is the top 10 MCs on a list that my-kinda-hip-hop-mixtapehas been made viral… it’s a sad sight, it really is. Hip Hop in social media is anaemic right now and it needs a transfusion, and that’s where DJ Donor comes in.

The Wu-Tang Coalition DJ from the Netherlands is here to give his blood type to you in the form of his latest mixtape “My Kinda Hip Hop” which is an hour of the hottest tracks over the past year (Look out for the RePPiN4U 2016 mixtape coming soon by myself and DJ Miss C Brown – Cheap plug but it’s not because I pay those bills…) he is so established, mingling with the likes of Onyx and Mr Funke of Lords of the Underground that Pelle Pelle, Hercules and Saucony are proud sponsors.

Check out the mixtape here after the jump…

dj-donor

Allow this man to donate some good Hip Hop into your veins! Follow him on twitter – @DonorDj

Check out the official website HERE

You can also access the mixtape via these links:

Audiomack:    

http://www.audiomack.com/song/dj-donor/my-kinda-hiphop-mixtape

DatPiff:    

http://piff.me/74b5d2b