RAEKWON – THE WILD

RELEASE DATE: March 24, 2017, ICEH2O RECORDS/EMPIRE

Written by Michael Grant, C.E.O. of RePPiN4U, member of GGO – Ghetto Government Officials and Wu Worldwide DJ Coalition

IN THE LAST EPISODE…

“Usually, the chef will tell their customers, what is in the dish that they prepared for them in detail. Raekwon has done no different in many interviews prior to this album coming out months in advance. So why didn’t Rae’s loyal heads not take heed? While this album has been received well by casual hip hop fans, the hardcore fan base are not so pleased, especially in a time when Raekwon most notably trashed the Wu album – A Better Tomorrow…”

Raekwon The wildThis basically summed up F.I.L.A. Fly International Luxurious Art. I saw what Rae was trying to do. We all did, but I stand by what I said last time. He let his fans know before hand and as a result, the fans let themselves down with their expectations. Rae’s most hardcore fans want the Wu-Tang sound and nothing less. But with RZA’s production sounding more left field as of late, this has led our Wu generals looking elsewhere for beats that will appeal to their fan base.

RZA has handed the Wu keys over to Ghostface Killah if we are to see a new Wu Album, and who is Ghost’s longtime tag team partner? The Chef himself, who has heard the constructive criticism regarding F.I.L.A. and so this is another attempt to fine tune his sound to appeal to loyal fans and new fans. We recently learned that Justice League will be producing on the new Wu Album, and they are featured here on this new project – The Wild, which has no Wu features at all, and dedicated to Mel Carter. With all this in mind, is this an early inkling to what the new Wu Album could sound like?

No messing about, straight into the first single. ‘This Is What It Comes Too’ right? Raekwon is bringing the ferocious flow back over classic drums brought into 2017. A remix has recently surfaced featuring that man who had been gone for 36 Seasons. Now not for ‘Nothing’, Rae comes through with sonics which resemble the Wu-sound. You will not find Kung Fu skits here, but instead you hear parodies based on the real in the form of a guy singing about shorties getting their head right…

Talking of stories based on the real, Rae takes you back to April 2, 1939 with a sure-fire album highlight, sending a tribute to ‘Marvin’ Gaye. The track is a soul drenching winner thanks to the hook supplied by Cee Lo Green. The soulful flow continues on into ‘Can’t You See’. If the listener is not zoned out at this point with a tear in their eye… I don’t think this album is for them.

This is the ‘controversial’ track of the album. Wu-fans worst nightmare has come true in ‘My Corner’. All the Lil’ Wayne hating memes, all the pictures of his album in the toilet or set on fire, has all come to bite Wu-Fans in their backside. The chief hip hop villain joins the Chef here and to make matters even more disturbing, Mr Carter Jr brings his A-Game in his rhymes over a vicious frantic beat because he knew he had no choice against a hostile Wu-audience.

Rae shows a bit of a comedic side to him which you don’t see very often, introducing the ‘F**k You Up Card’, a young kid (whose voice sounds suspiciously like Rae but switched up and we have seen Rae do this sort of thing before – remember Clyde Smith?) puts Rae on to a service where he can get his enemies taken out for a small fee. 02-Andra-Day-wim-crop-bb31-kdln3-billboard-1548

In ‘M&N’, Rae and P.U.R.E. go bar for bar on some Grid Iron Rap style. Then Andra Day provides her vocals on the 2017 dedication to the incarcerated in ‘Visiting Hour’.

‘The Reign’ is Raekwon’s new victory championship belt anthem. the production on this is epic and sounds like Rae raided the Maybach Music studios and put the beats to good use. Then Rae brings more soul and that feel good factor as he puts the ‘Crown of Thorns’ on his head.

G-Eazy looks like a fan whose wish of rhyming with his long time idol come true. He’s on point in ‘Purple Brick Road’ when he states that 20 years from now he would be still rock the purple tape. Go back a bit into the track and the production intensifies in glorious fashion.

However was the Chef being a bit too experimental here? ‘You Hear Me’ sounds out-of-place, could have passed as a bonus track, or a track where Rae edited out the trap artists that may have featured with him. Granted Rae rhymed over the trap sounding beat with ease, it’s not something he should do often, or better still, kept off this album – it really doesn’t suit the body of work which is presented here.

That’s the only mis-step on The Wild, otherwise this is a massive improvement over the last offering. If you imagined Raekwon as a stand alone artist and Wu-Tang did not exist, this is the album that reflects that imagination. Even Lil Wayne’s appearance is not a factor (remember Nas & Damian Marley’s Distant Relatives?) Raekwon has finally hit his stride as far as a non-Wu endorsed offering.

The time is still running on Cuban Linx 3, but for now, this is a nice album to take minds away from the WWE-like nonsense they call ‘beef’ that’s happening currently.

 

 

DE LA SOUL LIVE @O2 Insitute, BIRMINGHAM – MARCH 3, 2017!

WRITTEN BY MICHAEL GRANT, C.E.O. OF RePPiN4U

HISTORY IN THE MAKING.

At this time, I feel bad for the people who did not make this show. I shouldn’t, but I do. In the early part of this decade, De La Soul were teasing signs of a long-awaited return to give fans that well needed fresh air… first the Dilla EP, then they had their ‘tribute’ to the Wu-Tang Clan, which I had to put in quotes because it was the true tribute, but was overshadowed by a certain Canadian light-skinned, high-pitched voice artist whose unnamedso-called tribute was about checking a girl in a club (??????) and wanted to ‘controller’ from the ‘Hotline Bling’. Then they proved that they still ‘God It’ with Nas. South Park poked fun at the Kickstarter concept, but one good thing came out of it – De La Soul’s new album ‘And The Anonymous Nobody’. What do you think was going to come next? An impending tour.

The news broke about the tour in the later months of 2016… yeah you know, that year which was ridden with celebrity deaths, the UK’s decision to leave the EU, and the end of the Obama era going into the Trump era. So many people caught up in all of that, and De La Soul were more concerned about coming to the UK. I rephrase the opening statement. a part of me feels bad for those who did not make the show…

De La Soul arrived on British shores, and met a woman with bad wind whose name was ‘Doris’. They are used to hurricanes, rain hail snow and earthquakes… they were not about to be fazed by someone named DORIS????

Entering the sold out O2 institute a little before 8:15pm and Jungle Brown took the stage for a lengthy 45 minute set, which was well deserved because these guys had an impressive track record of artist openings. The likes of Big Daddy Kane and Ghostface Killah to name a few is more of a who’s who. Performing their big tunes including H.I.S.T.O.R.Y, their style complemented the main attraction and the audience without having to pull out the secret weapon of the crowd cheering along to the disapproval of mumble rap.

In between sets was very unusual, there was no DJ in between to keep the crowd hype for 30 minutes while waiting on the arrival of the trio. The weird thing about that was the 30 minutes flew by, well at least in my mind.

Not a second after 9:30pm, DJ Strike takes the turntables and announces that DJ Maseo was not in effect which was a shame, but Posdnous and Dave jumped on stage!

NOTE TO SELF: ALWAYS BUY A STANDING TICKET. EVEN IF YOU HAVE PHYSICAL DIFFICULTIES.

Performing their signature hits such as ‘Oooh’, ‘Much More’ and ‘Stakes Is High’, they took a moment to stop and acknowledge the six people sitting upstairs and ridiculed them all in good fun. Now while I found this entertaining and hilarious as did everybody else, I seem to recall a certain ‘college dropout’ who was associated with a woman who engaged in carnal activity and put it out for the world to see, getting cursed out by social media for doing the same thing.  Just goes to show what we are like behind our devices.

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Photo courtesy of Mr Keyes

Another great highlight was Pos & Dave acknowledging J Dilla, Phife Dawg and Sean Price, but they feel the same way as Busta Rhymes when they proclaim why we as people appreciate people more after they gone rather than while they are here. Busta said that and I agree 100-1000! Unless I’m a true fan of someone I’m not quick to throw YouTube videos all over my timeline when somebody returns to the essence!

HISTORY ABOUT TO UNFOLD…

However Birmingham was not ready for the element of surprise and maybe the biggest highlight of the night. Just after performing a verse or two of ‘Buddy’, Pos & Dave big up all their fellow Native Tongues. Unknowing to most, Black Sheep Dres was lying in wait! Birmingham is not used to surprise guests coming through to blaze the stage. Usually that honor goes to London or Manchester. In a capacity crowd full of people of all ages, it was the 40 and over portion of the crowd in complete disbelief and comprehending who they are witnessing on stage performing their favourite hits. When it came to ‘The Choice is Yours’ however…the younger portion of the audience were about to be schooled…

For 20 years, I had been clubbing, and the DJs would always play the same tired songs, particularly that Faith Evans/FatMan Scoop track. Easily top 5 all-time club classic yet annoying track. On this day, I was proud to see the younger audience finally realising that the voice behind ‘Engine Engine #9’ was standing in front of them and bringing the true essence. Yes it might have took them a moment to realise the part with FatMan Scoop asks

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Photo courtesy of Mr Keyes

‘who’s f**k!n tonight’ was not coming! Dres & De La had the whole capacity crowd laying low anticipating to jump up after ‘pick it up, pick it up!’ during said portion of the song apart from one person with a glaring white coat on who De La single-handedly pointed out in ridicule! This is an old school jam! Not your usual show where all the stars can see on stage were your phones! (Even though that happened too…standard procedure!)

Usually the surprise guest will leave the stage after their moment but not Dres, and De La wouldn’t want it any other way. He became their unofficial hype man for the remainder of the night, but at 10:15pm I don’t know who De La were fooling trying to say goodbye and peace to the crowd after performing ‘Saturday’ and leaving the stage…  nobody budged. De La realised the crowd were not taking the bait and came back out. Finally finishing on ‘Me Myself & I’ and ‘Name & Number’, De La & Dres closed their hour set…

MEMORY OF…(US)

As I constantly hum the track featuring Estelle while gathering my closing thoughts, even if the show went on for another 30 minutes, it would not be enough to cover three decades of great innovative music from De La Soul, so yes, I’m guessing everyone left the O2 Institute with a bittersweet feeling of what track they wanted De La to perform. In my case, being the current purist I am, I wanted to hear at least ‘Pain’ or ‘Royalty Capes’ from the new album. Or ‘I C Y’all’ from AOI. Being as it was a sold out event, I was surprised, disappointed and almost remorseless towards those who couldn’t make it. Yes I feel bad for them but as I write this, the remorse level decreases. On this night, I witnessed history. Two acts for the price of one, and I knew of this show in the closing months of 2016… so to that I say this to quote a De La Soul hook: “If money makes a man strange, we have to re-arrange that…”

 

IRON WIND & PRIMORDIAL EMCEE – PRIMAL WINDS

RELEASE: FEBRUARY 10, 2017, WRITTEN BY MICHAEL GRANT – C.E.O. of RePPiN4U

Eric B & Rakim. EPMD. Havoc & Prodigy. Method Man & Redman. Raekwon & Ghostface. M.O.P. Capone ‘N’ Noreaga. Skyzoo & Torae. Conway & Westside Gunn. Some of the Hip Hop duos that have stood the test of time through the annuls of Hip Hop history.

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CLICK HERE TO PURCHASE ALBUM

Iron Wind, more known for his detailed stories of Feudal Japan in his albums, has once again entered the battlefield, this time bringing along Primordial  a.k.a. District Prime who  won’t hesitate to engage in battle rap and explore the sciences. Having both appeared on each others separate projects, it was only right that the next logical step was to come together for a collaborative album.

2017 sees the pair come together  and become ‘PRIMAL WINDS’ in ‘T.Dot Stand Up’ which takes them both away from their comfort zone, and they are kind enough to bless RePPiN4U with an exclusive advanced copy of the album before it touches down to an iTunes store near you.

The album kicks off with ‘T.Dot Stand Up’ and  it’s their anthem praising the capital of the Maple Leaf country and how the city embraces the true essence of hip hop, and letting the world know that Toronto has been on the map way before he who just wanted ‘One Dance’ and a ‘controller’…

…so with that in mind they turn their attention to those who are ‘trapped in the 90s’ with ‘Bring It Back’, and then bless their ears into 2017 by flipping the sample Pete Rock used for ‘Straighten It Out’ in ‘Our Generation’. My guess is their first track will wind up being a video but this should get the visual treatment too. I believe with this, not only do they have a highlight on their hands, they will attract a wider audience instantly.

The pair remind us that they are just like us normal folk, no different, we gotta pay those ‘Bills’. Four tracks in and I strongly suggest that you go out and support this project. I give these guys props because their track sequence is on point in terms of track titles. Bills

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LUCY LOVESICK

need to be paid so they must go ‘On The Grind’ complete with classic scratches used as the hook which are so relevant., and of course, if you are on your grind, and the bills are paid, you can approach the opposite sex with confidence and let her know how she is ‘So Sexy’ over a nice Motown like beat you would hear somebody like the Temptations harmonize over.

Seven tracks in and the realization sets in that this project could be up there with the best of underground projects this year. It’s not easy in the ‘Concrete Jungle’ though. Here you see Primal Winds flowing effortlessly over a sonic which sounds like it should only be played at night while cruising in a convertible.

Primal Winds are very proud of their home of Toronto…however they make it painfully clear that Toronto is not all roses and  green pastures.

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PRIMORDIAL

They align themselves with Cuban Pete on the track – ‘City Pulse’, with a backdrop sounding like an episode of CSI giving vivid storytelling on what happens when the sun goes down in Canada’s capital. This is complemented by ‘The Stakes’, where we see the two hit the casino and do just that – raise the stakes on their rhyming skills against any challenger.

‘Tonight’ features the sultry vocals of model Lucy Lovesick who presumably takes the role of ‘Hip Hop’ (as we like to refer to the culture as ‘H.E.R.’) but can also be seen as a double meaning as this sees the two take a slightly smoother approach in the music.

In ‘Making Moves’, the duo will do what it takes to get great reviews. (well almost… they won’t pay you to play their records or threaten to chop your head off or anything like that!) If you are not convinced then see the last review of Iron Wind’s The Warrior Inside on this site. Heads would have realised that this was the next logical chess move for the two emcees.

Die-hard Wu-trainspotters will recognize the beat that’s flipped here in ‘Afterparty’. This is some feel good vibe compared to the grim and awareness the Sunz of Man portrayed in ‘Israeli News’. The album closes out so soulful as the duo give their ‘Ode To Hip Hop’, as they tell their heartfelt stories of their hip hop journey, you cannot help but nod to it in celebration. These guys have a great ear for beats and this project is sure to get regular spins.

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THIS IS SWIFT JUSTICE RESTORED TO TORONTO.

This is quality music that shows versatility and a different side to the emcees that we have known to love over the past decade, which is always good because you don’t want 10 albums from the same artist saying the same things and no growth. Stay tuned on RePPiN4U later this year and on our show on www.wild1radio.com as we are sure to be playing these tracks and hearing in more depth from Iron Wind and Primordial.

PURCHASE ALBUM ON BANDCAMP HERE

FOLLOW PRIMORDIAL EMCEE ON TWITTER HERE

FOLLOW IRON WIND ON TWITTER HERE

DOM PACHINO LIVE @2Funky Music Cafe, January 29, 2017!

REVIEW WRITTEN BY MICHAEL GRANT,  C.E.O. of RePPiN4U

August 5, 1997. The day Wu-Tang fans around the world was about to experience the flood RZA was talking about on a Tim Westwood show. We had come to an end of the Abbott’s five-year plan. What was coming next from Hip Hop’s most influential collective? A six-man SWAT team called Killarmy. Their debut album Silent Weapons For Quiet Wars, dom-pachino-leicestercontinued the signature Wu-Tang Sound but instead of Shaolin Kung Fu film samples, it was war movie quotes headed by producer 4th Disciple. Along with Sunz Of Man & Shyheim, Killarmy remain one of the most well-known of Wu-Tang affiliates.

Fast Forward 20 years later, and we see Killarmy’ Voltron break down into the lions and have become their own generals in their own right. Dom Pachino a.k.a. P.R. Terrorist in particular has learned from his Wu-Tang brethren, spawned a clothing line, launched Napalm recordings and has his own array of ammunition in artists including Bugzy Da God who performed with him live in the 2Funky Music Cafe in Leicester.

Massive shout out to PC The Producer of FATP (From Across The Pond UK Hip Hop Show) and part of the RePPiN4U administration for opening the night with a unique twist – instead of the usual 90s Hip Hop classics played by most DJs (which is appreciated, by the way) he played a selection of UK Hip Hop and Wu-affiliate cuts which was a true testament to the heads in attendance who travelled from the likes of Nottingham, Wales, all the way from Sweden, and all showed their love to the man who has put UK Hip Hop on his back.

PC would then be joined by DJ Roll Blunt who rallied the fans in attendance as the opening act – Shakezpeare stormed the stage with his high-octane energy and ferocious delivery on the mic performing his set including the Bronze Nazareth produced ‘Train Of Thought’

Half an hour later Bugzy Da God comes through and keeps the momentum going. It wasn’t necessary to use this technique, but Bugzy hit the crowd with his disdain for mumble dps-2rap/trap music by performing ‘Nail In the Coffin’ which is his switch up of Common’s ‘Sweet’. That secret weapon always works. Bugzy was firing on all cylinders with requested 4th Disciple produced tracks, and just in case a few people started to rub their eyes or hide their yawns with their hands, Dom Pachino came out all blazing saddles, telling people to Wake the f- up. Terrorizing his way through his hits, most notably ‘Problem Child’, which he explains is a very personal record, and ‘Napalm’, which is a single with a sure-fire video waiting to dps-1happen from his P.R. Terrorist Vs Dom Pachino project. With the crowd reluctant to go home and even management caught up in the vibe, the 11pm curfew was thrown out the window but Dom ended the set with the track which put Killarmy on the map in the first place – Wu-Renegades.

There were a few hiccups along the way with the decks not playing certain tracks but the professionalism of the performers knew when it was time to drop killer a capella freestyles, which is the backbone to a real emcee. The crowd turnout was also less than anticipated, but maybe it was for the better. After all – like Raekwon says – this show was ‘Only Built 4 Cuban Linx’ and with that in mind Dom, Bugzy and Shakespeare performed like it was a capacity crowd in Glastonbury. That has to be respected.

Look for the coming RePPiN4U Exclusive interview with myself, Dom & Bugzy elsewhere in this blog!

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All photographs taken courtesy of KULVADER PHOTOGRAPHY

 

 

GHOSTFACE KILLAH: IRONMAN – 20th Anniversary

Released: October 29, 1996, Epic/Razor Sharp Records

Written by Michael Grant: C.E.O. Of RePPiN4U

“To all my house bitches, Starks’ll be home soon
I’m on tour chill, catch me ’96 in June…” – GHOSTFACE KILLAH, Glaciers Of Ice, 1995

Ghostface Killah could never have said those lyrics on arguably a better track on Only Built 4 Cuban Linx. Everybody has their favourite track(s) from that classic album but I bet a good percentage will say ‘Glaciers Of Ice’, while heads were screwing their faces, head nodding, and goosebumps on their bodies, their mind hit a record skip for that split second realising that Ghostface Killah was preparing for his debut album.

ghostface-killah-ironmanThe debate continues today just like the Pac & Biggie issue, and that is – which is better – Ironman or Supreme Clientele? Personally, I’m a Supreme Clientele guy, and I broke it down in a feature similar to the one you are reading now. But I’m gonna represent for the fans who prefer Ironman.

Once again, I will take you back to a 16-year old Michael Grant, approximately October 29, 1996, the day this album dropped. THIS IS MY STORY. GHOSTFACE KILLAH. IRONMAN. RHYME & REASON.

I had already left school (unexpectedly I might add), I landed a YT training course to become an accountant. NVQ level 2 at the Wolverhampton Chamber Of Commerce. Four days of placement, one day training. There I was all suited up, complete with a briefcase looking like a young man of the future. But on October 29, 1996, I didn’t care for my corporate looking image. I wanted to get those wallabees, that Wu Wear, that Helly Hansen and all that! I just got paid, and the first thing I did was buy this cassette tape. Yes I did it before paying my moms board, before my bus pass, before I even had a trim! I actually waited til I got to my cousin’s house, put the tape on while my cousin was playing Super Nintendo (The Saturn/Playstation costed too much at the time!)

  1. IRON MAIDEN F/ Raekwon & Cappadonna

Now I have never seen the movie ‘The Education Of Sonny Carson’… and maybe I should if it’s Wu-Tang approved. But I was rooting for the boy, I wanted him to put trademarks around the fool’s eye! Then the tune kicked in. GOOD LORD! Raekwon didn’t finish his verse, and I was like – PULL UP THE TUNE! PULL UP THE BLODCLART TUNE! If you are an avid listener of RePPiN4U Hip Hop Show, you would know what I did there!

2. WILDFLOWER F/ Jamie Sommers

First time I heard this, the instruments RZA used instantly reminded me of ‘Chessboxing’. Then I heard the lyrics… me and my cousin’s jaw straight up DROPPED. Before the Wizard of Poetry, before Domestic Violence, there was WILDFLOWER. February 17 was NOT A NICE DAY for Ghostface Killah! You could feel the anger in his voice! Wu-Tang are all about the real life stories… this woman messed up bad! My question is, where is Jamie Sommers in the world today? Answers on a postcard please – tweet me @MZATheInfamous!

3. THE FASTER BLADE F/ Raekwon

This to me sounded like it didn’t make Only Built 4 Cuban Linx, at least that was my impression. One of my questions to add to my list if I ever got the opportunity to interview the Chef himself. At the same time, it doesn’t as gritty as the Cuban Linx tracks, like I dunno, RZA’s music began to evolve because in this album, it’s like the tracks sound a bit more polished.

4. 260 F/ Raekwon

Once again, I never saw the Sonny Carson film, and I can see some of you reading this looking at me funny. Going by the sample, it sounded like the kid embarrassed the gang leader or something. Don’t worry – I will put it on my ‘see list’ now that I got that ‘KODI’ gidgets gadgets…

5. ASSASSINATION DAY F/ Inspectah Deck/Raekwon/RZA/Masta Killa

It was this tune when I learned the album was coming October 29, 1996. One October night prior, I was listening to Tim Westwood on Radio 1, remember back in the days when he played that official hip hop? And his Friday show was on from 11pm til 2am? Well it was one of those shows when he was interviewing the clan – one thing I loved back in that day, was when a solo album was coming out, the whole clan got interviewed. They announced the album release and they played this tune – it was exclusive back then – only Westwood had it. Heard this tune and I was hyped crazy!

6. POISONOUS DARTSthe-mystery-of-chessboxing

True story – this tune actually relates to around December of 1997. Me and my cuz rented ‘The Mystery Of Chessboxin’ (Ninja Checkmate) kung fu film. Now we rented it only because of the film’s title. I said to my cuz, I am pulling out the (landline) phone cord so that NO ONE calls while I’m watching this film! What followed was the samples used for this tune right here, and I lost my mind, jumped out my seat the whole nine and it still stands as one of my favourite ever kung fu films of all time. How can you NOT love the Ghostfaced Killer? Best bad guy ever. He used to say the most out-of-order dialogue in the film “Chow Fan Lun, how are you? You’re gonna die today! Do you recognize this technique? (5 Elements!)” and I was like – WROOOOOOOOOOOY!!!!!!! But then, the film ended, plugged the phone back in, hit ‘1471’ and found out that a good friend of mine just gave birth to her son. I felt like a fool after that, yet at the same time, so happy for her.

7. WINTER WARZ F/ Raekwon/U-God/Masta Killa/Cappadonna

I remember a particular time when me and all my Peoples from Aldersley High School were on the bus, and we were debating which was the best tune on each Wu album, everyone had their favourite and one dude shut us all down – “Winter WAAAAAAARZ!!!!!” Yes – this tune will forever be known as the tune that Cappadonna killed with his 52 bar killer bee assault, and ever since that time, heads were setting for Cappadonna’s debut album. Two years wasn’t long of a wait considering we had Wu-Tang Forever, Killarmy’s Silent Weapons album, and Gravediggaz sophomore album in between. Big up Cappadonna for deciding to make a video for this nearly 20 years later, I love these sort of videos where you just vybin with your peoples and there’s hardly no direction, just roll the tape and go along with it. THAT IS A HIP HOP VIDEO PEOPLE! I just wished it was a full clan video though. I envisioned it being a similar setting to GZA’s Shadowboxing video, all cold and dark and people in that ‘Winter War’, so to speak so it would be like a sequel to that video.

8. BOX IN HAND F/ Raekwon/Method Man

Before there was Wu-Massacre, there was BOX IN HAND! Now at this point, Method Man was still my favourite Wu-member, Ghost was already showing signs that he would become my favourite Wu-member and artist of all time. So I was mad looking forward to this tune. I couldn’t help but feel slightly disappointed when I first heard this, the intro, I was like – Oh here we go! This gonna be off the hook! Then RZA changed the beat and I was like – aaah… the disappointment didn’t last long though, Method Man went IN!!!! “This rap sh!t bust yo’ gums, and leave you stunned/Pull your plug, now you can’t function/There’s no to-tal or sum to this equa-tion, you fro-zen/Many may come but few are cho-sen/Pretty n!&&@$ want to play the war po-sin/When the ruckus come, they be the first to get their shine stolen/Do or die, it be I, Meta-physical Man/Holding court from my Wu, indivisible clan…”

Now I’m listening to the unreleased version, and I can see why RZA decided to put the other version on, I’m not even sure if Box In Hand when was meant to be the title! Another Wu-Tang Mystery to solve!

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If you remember buying the cassette, you may have noticed there was a large gap at the end of side 1 of the tape… like over 5 minutes?! So this is another true story… Wu-Tang released the Triumph single in 1997 and hit the UK top 40. Usually I’m not down with pop music but that was a proud moment for me and hip hop. But on the b-side was the Hidden Chambers Remix of Wu-Gambinos. So what did I do? grabbed some sellotape wrapped it over the protective covering of the tape and recorded Wu-Gambinos Remix on it. Call it an unofficial Bonus Track.

9. FISH F/ Raekwon & Cappadonna

The TRUE MASTER! At the time arguably his best track he produced since ODB’s Brooklyn Zoo. This tune hit the rewind button crazy!!! The spooky thing about this tune is, Cappadonna states, “When RZA do his thing motherf***er, I’mma do mine..” How true is that statement now 20 years later? RZA basically said to Ghost, you’re in charge of the next Wu Album! Has the Abbott thrown in the towel? I hope not. Ghost’s ear is powerful, I’m sure he can still get some bangers out of RZA…

10. CAMAY F/ Raekwon & Cappadonna

Once again we see early signs of Ghost Dini – The Wizard of Poetry here. TELL THE TRUTH – How many of you guys said this to a woman: “Yo you sexy motherf****r, damn what’s the recipe?/You make a n!&&@ wanna god damn!/Can you cook darling?” I can say this: I’ve never said that to a woman outright (I have my shy moments) but I have at least thought it and at the most – sent a text saying that in the past!

11. DAYTONA 500 F/Raekwon & Cappadonna

Confession time – I hated this song at first. Yeah I said it. I thought it sounded like something from Top Gear. But guess what? The tune was in my head and it was telling me – you WILL like this tune! Lo and behold – it worked, and I think the 8 player Daytona game at Sega World Strykers (R.I.P.) played a massive part in it. Normal people heard the Daytona game music. Wu-Tang fans heard this while playing that game and that’s real!

12. MOTHERLESS CHILD F/Raekwon

This was the very first track I heard from the album because this was originally on the Sunset Park soundtrack… remember those days? When tracks from a film soundtrack were hot and was actually relevant to the film? Great shout to Aaron Hall as well… where is he as well? He joined the missing list on the milk carton with Jamie Sommers! Answers on a postcard please!

13. BLACK JESUS F/ Raekwon & U-God

The crazy thing about this is, Wu were speaking 5% terminology from the get go, and it really didn’t clock on to me until this album. Up until October 29, 1996 I was raised to believe that Christianity is THE RIGHT religion. This skit made me think for the first time like whoa… no such thing as Adam & Eve? God exists within me? The black man is God? I was intrigued. Then the beat hit. I was like – PULL UP THE TUNE! PULL UP THE BLODCLART TUNE! RZA came with some church choir crossed with some epic Samurai Showdown type music! And U-God – that man went IN!!!!! To me it was like the longer this album went, the more epic it became.

14. AFTER THE SMOKE IS CLEAR F/Raekwon, RZA, and the Delfonics

I love the hook in this, because I still believe it. After the smoke is clear… Wu-Tang/Delfonics NUMBER ONE! Tunes like this are reasons why we the fans miss the old RZA and not keen on this Bobby Digital persona that he can’t seem to put aside. The Cure album never came, and you know what? Even if it did, people today would still turn round and say hip hop is…. yes the D-WORD.

15. ALL THAT I GOT IS YOU F/ Mary J. Blige

Ghostface says – “this is dedicated, to all those who went through the struggle”… Yep, that was me back at 16…. but nowhere near as bad as Ghost. I made that decision to leave school at 16 and find work because I knew I wasn’t as well off as some of my other peoples. Every year I used to hear them say ‘I went to Jamaica/Cornwall/Spain etc..’ I never stepped out the country until I was 29. Not only do I look back at this tune and think ‘you know what, I was ok, I was instilled with the determination to work hard’, but also I say this is dedicated to all the ‘millennials’ who always claim they are stressed or whatever but there they are updating their Facebook with their iPhone. There they are with their 4KTV hung up in their house, there they are with roof over their head and well fed, quick to order takeaway online every night but cannot roll 2 dumpling to save their life. Thank god for Nas… Life is good!

16. MARVEL F/RZA

You see this tune here? This was the start of the Bobby Digital persona as far as where the music was going. The signs started here. When I first had the cassette tape I didn’t have this as a bonus track though. I have yet to see someone use RZA’s lyrics as a chat up line and see what happen to them! Imagine whispering in a woman’s ear in a club like ‘let me plant my dynamite deep inside your core, the explosion stops your menstruation patiently waiting nine months for deportation…” Yep… I can see that going down well…!!!! By the way Kudos to RZA for keeping the beat going!

17. THE SOUL CONTROLLER F/ The Force MDs

This was the original bonus track I had. I remember my cousin loved this tune! As far as he was concerned, this was his favourite tune on the album… I wasn’t so keen at first, but that happens a lot with me! I’m surprised the sample issues prevented this track appearing on later copies of Ironman though, I mean, it’s been sampled a million times. The skit at the end still holds true, especially if people concern themselves with what we should be listening to on the radio…

GRANTFACE KILLAH

I kinda wished that Ghost was doing something similar to Ras Kass in a sense that he’s celebrating his Soul On Ice 20th Anniversary or Nas when he celebrated Illmatic. Ironman should be up there too. But I’m sure if he doesn’t, we the fans will. At time of this feature, I know he’s on tour with Rae… but according to RZA, Ghost now has the keys to the next Wu-Tang Album…Ghost’s ear has been powerful throughout from Ironman all the way to 12 Reasons To Die Part 2, all this plus Supreme Clientele 2? To those who still talk that Hip Hop dead nonsense, THEY ARE THE PROBLEM as far as I’m concerned.

INTIMATE Q&A WITH KRS-ONE @Old Rep Theatre, Birmingham UK JULY 14, 2016

REVIEW BY MICHAEL GRANT – C.E.O. OF RePPiN4U

“When you walk up to opportunities door, don’t just knock it… kick that b!tch in, smile and introduce yourself…” Dwayne ‘The Rock’ Johnson

On this day, that very quote was learned on many levels. Over here in the UK, especially in the West Midlands, we often gripe about our promoters not getting artists to perform in Birmingham. More often than not they usually appear in London and not everybody can get down there due to priorities and commitments. B.U.T. an event like this??? All that is thrown out the window. Miss an event like this, it’s on you. But fear not, RePPiN4U was in attendance, and captured a third of the show on camera.

krs one qa

I say a third because it’s a minor gripe I had with the show. It was meant to start at 3pm on the dot, and even BPT (Black People Time) was not to blame for this – Black People were at the Old Rep Theatre in Birmingham waiting from 2:36pm! A man such as KRS-One with so much knowledge to give to the people, two hours isn’t long enough. The Teacha turned up on stage an hour later. Not his fault but the organizers. It wasn’t like the audience grew impatient – they didn’t at all, but if it was our new Prime Minister Theresa May, if she begins her speech at 3pm, SHE BEGINS at 3pm and not a minute later.

God bless the blastmaster – before the session began he notified the journalist and the audience that he can ramble on so feel free to cut him at any given time… again, a pioneer such as KRS-One, you DON’T want to cut him out of respect, and he’s that guy that belongs in a small club of people who you could listen to all day and hang on to his every word.

Some of the things KRS speaks on, fans may already know, but to hear it live and in person is such a pleasure to behold. Highlights include his humble beginnings as a homeless person who sought help from his social worker who turned  out to be a hip hop fanatic, going on to form Boogie Down Productions. Then he went on to break down the concept of his first album ‘Criminal Minded’, the impact of the song ‘South Bronx’, and how Brooklyn was heavily habited by people of all Caribbean backgrounds which explains the influence in his music.

A particular favourite moment of mine was when he told a story of how his mother raised a young Lawrence Krishna Parker. He and his brother were playing basketball in the neighbourhood, when a taller, older kid confronted him and tried to bully him off the court, not only did a young Lawrence stand up to him, but he also defended himself and sent the bully home crying. In a twist, his moms would collar him for fighting with fists, but rather, fight with words, and it has become something he learned later in life as did I when he told the story.

Another great subject he spoke on added on from the #BlackLivesMatter movement. KRS brought up a good point that today’s 20-year old hip hop artist will come with an anthem which addresses that and will be remembered for years or decades to come and he guaranteed it. There has been a lot of great tracks that have come out recently in light of the events of Philando Castle and Alton Sterling, but mostly from established artists in which have been featured in recent RePPiN4U Hip Hop Radio shows on Wild1 Radio / BDSIR Network – (cheap plug but it’s not because I pay those bills) so with that said ‘here’s looking at you AFRO’…

He goes on to add-on from what Chris Rock was saying about black actors in Hollywood at the Grammys this year. Awards are given for great films like 12 Years a Slave and Training Day, but not even nominations for powerful films like Malcolm X. Why is that?

But the moment which everybody had paid their £5 for had come with the Afrika Bambaatta controversy. The audience’s ears were wide open for this, and KRS knew this subject would come up without coming up, it started from a question from a young lady in the audience regarding sexual violence in hip hop, and it led to this. KRS stands by his statement about not caring less because it was accusations and nothing to do with Bambaatta as a hip hop icon but as a human being, but went on to say if proven guilty Bambaatta would be dealt with. Here the journalist tried to challenge him but KRS was fully prepared. The journalist admitted defeat as she turned to the audience for another question to which the audience had to applaud KRS-One’s resiliency.

krs one police jewel

Which brings us to the epilogue of this review. The other minor gripe I had was that the event was unintentionally misleading. It was titled a ‘Q&A’ session. On a fans perspective, we felt we did not get the opportunities to ask the MC who is 1,2,3,4,and 5 questions (myself included), only two did, and they got an exclusive DVD of KRS’ teachings, this was because the host journalist may have gotten carried away with her questions which seemed 5 minutes long for the Teacha to digest. On a journalist standpoint, you have one of the greatest minds in hip hop history sitting opposite you, you will seize that opportunity to show your intelligence and ask him questions after all the research done and to her credit she did a tremendous job, but to fans it felt more of an intimate interview with KRS-One than a Q&A session and the journalist may have been out to establish herself, to that I cannot blame her – I would do the same. Also to her credit she may have covered subjects which we the audience would have asked him anyway.

Going back to Dwayne The Rock Johnson’s quote, an event like this may not happen for a long time, especially with an MC who made his 7th visit to the UK. Not much when you consider a veteran with a 30+ year musical career whereas other MCs have come to the UK more times who have been in the game not even half as much.

Props to Punch Records and Birmingham Music Scene for putting this together. Here is hoping for more events like this in the future.

RePPiN4U: THE EVOLUTION OF UK HIP HOP

RELEASE: JUNE 13, 2016

EDITED & PRODUCED BY MICHAEL GRANT, C.E.O. OF RePPiN4U

CO-PRODUCED BY PC THE PRODUCER & UK BIG PUN OF FATP PRODUCTIONS

MUSIC SCORE BY MR KEYES

CREATED AT THE UNIVERSITY OF WOLVERHAMPTON

In this special documentary, RePPiN4U teams with distant cousins FATP (From Across The Pond) to take a special look at the evolution of UK HIP HOP. Starting in Wolverhampton, we take a look at the Beats A Bar music project open day, speak with the mayor, then travel up to Leicester where we talk to the guys behind Wild1 Radio’s #1 UK HIP HOP SHOW, then we return to Wolverhampton where we talk to Alex-Is on his album ‘UNEQUIVICAL’, and Reload, fresh from his trip from London where he opened up the show for Wu-Tang’s Raekwon The Chef. All this and more in an hour-long feature!

SPECIAL THANKS TO EVERYBODY INVOLVED IN THIS PROJECT.

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