KOOL G RAP LIVE @ 2Funky Music Cafe, Leicester UK June 28, 2017

REVIEW BY MICHAEL GRANT, C.E.O. of RePPiN4U

1992: I was but a 12-year-old. Missed an entire year of secondary education. The stories about my cousin’s cassette tapes, are legendary. To my knowledge he still has them. A lot of tunes I used to rock to but never knew who the artists were and it wasn’t all the time I was exposed to Yo! MTV Raps. Ill Street Blues was one of those tunes. The man responsible was in the UK in 1992, rocked every crowd possible, left, and was not seen in the UK again….

UNTIL NOW.

Kool G Rap Live2017: ‘Mumble Rap’ reigned supreme. Grime is misunderstood in America as UK Hip Hop, some fans just couldn’t give a DAMN despite Kendrick’s continuous effects to push boundaries, while others were stuck in 2001 playing Ether while sleeping at 4:44am. This has called for the Don himself to return, your rapper’s favourite rapper, the man who Nas said wrote the Hip Hop bible. The people of Leicester and surrounding areas came together to witness history. Kool G Rap, new album in tow, rocking the UK for the first time in 25 years.

The 2Funky Music Cafe’s strategy of exposing as much local talent as possible are a bit hit & miss. The show started with a Polish Hip Hop group whose name I didn’t quite catch unfortunately, A lot of what they performed was in their respective language and whatever they were saying in their lyrics – they meant it. Massive props go out to them as the UK continues to become more multi cultural and those who support Brexit for the wrong reasons cannot stop the power of Hip Hop.

Trademark Blud followed alongside DJ Tricksta and dropped an impressive 20 minute set. His ferocious delivery over tongue in cheek like beats and political subject matter left the crowd wishing he could have been on a little longer. If an opening act gives you that feeling, you are going places.

Leicester’s own Shakezpeare & DJ Roll Blunt were determined to top Trademark Blud’s performance, and They did. Even with sound check problems which Shakezpeare easily overcame by dropping hot freestyles like a professional, and that is what Hip Hop is about, to be able to adapt in any situation. His mission was a simple one – make sure his performance was so on point that no one apart from G Rap could follow him. Were Galaxy High from Sweden up for the challenge?

This is the part where I shed sympathy for Galaxy High, what I saw were two talented emcees who struggled to keep the crowd rocking which brings me to my point earlier: Too many opening acts may have been hit or miss, or maybe Galaxy High were positioned wrong in the line up sequence, or maybe the crowd were just ready for G Rap, it was the middle of the week, some may have had to commute the following morning, maybe 4 opening acts might be overkill. It is understandable in one aspect, keeping the crowd waiting for the main event for too long can also be a disadvantage.

15 minutes before G Rap took the stage, it was up to DJ Anthony Mace to set it, and it doesn’t start any better with a series of Mobb Deep tracks to remember Prodigy. The time when G Rap finally jumped on stage was the time the show was scheduled to finish according to Facebook which proves when it comes to gigs you cannot believe what Facebook says by gospel.

Performing the biggest tracks like ‘Take Em to War’, ‘Ill Street Blues’, ‘Streets Of New York’ & ‘Fast Life,’ the Don showed he never lost it. He takes time out to remember Prodigy in his own way by performing ‘The Realest’, in which Prodigy featured, and G Rap reveals a true story on stage of how Prodigy impacted him.

 

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Photo courtesy of @Kip1979_kipp on twitter

An interesting moment was when G Rap performed ‘First N!&&@’. Many of us know the DJ Premier produced version but on this night the Dr.Dre version was blasting through 2Funky Music Cafe’s airwaves before a capacity crowd.

 

The Don closes out his 45 minute set with one of his newest singles from the Return Of the Don album – Wise Guys which features Freeway and Lil Fame of M.O.P. The crowd response was greater than I imagined, as usually a predominately 90s Hip Hop orientated crowd look a bit confused and unfamiliar, but that was not the case here.

Admittedly Kool G Rap was not on my essential ‘see live’ list but looking at it in

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Photo courtesy of @Kip1979_kipp on twitter

retrospect, I’m glad I did see him live. Leicester saw history before their very eyes on this night, and G Rap’s time was yours – he embraced his fans and engaged in full conversation after the show, taking pictures and signing memorabilia, even with Prodigy’s memorial service which took place the following day.

 

Massive respect and salutations to The NGE (New Golden Era) massive and crew for looking out for a brother. They are some good dudes right there, just don’t front on them! Last person who did that got BLAOW! In their mouth corner! Others talk about it while they live it and that’s the Hip Hop we support over here.

Take a bow Kool G Rap! He’s Out For That Life!

 

DOM PACHINO LIVE @2Funky Music Cafe, January 29, 2017!

REVIEW WRITTEN BY MICHAEL GRANT,  C.E.O. of RePPiN4U

August 5, 1997. The day Wu-Tang fans around the world was about to experience the flood RZA was talking about on a Tim Westwood show. We had come to an end of the Abbott’s five-year plan. What was coming next from Hip Hop’s most influential collective? A six-man SWAT team called Killarmy. Their debut album Silent Weapons For Quiet Wars, dom-pachino-leicestercontinued the signature Wu-Tang Sound but instead of Shaolin Kung Fu film samples, it was war movie quotes headed by producer 4th Disciple. Along with Sunz Of Man & Shyheim, Killarmy remain one of the most well-known of Wu-Tang affiliates.

Fast Forward 20 years later, and we see Killarmy’ Voltron break down into the lions and have become their own generals in their own right. Dom Pachino a.k.a. P.R. Terrorist in particular has learned from his Wu-Tang brethren, spawned a clothing line, launched Napalm recordings and has his own array of ammunition in artists including Bugzy Da God who performed with him live in the 2Funky Music Cafe in Leicester.

Massive shout out to PC The Producer of FATP (From Across The Pond UK Hip Hop Show) and part of the RePPiN4U administration for opening the night with a unique twist – instead of the usual 90s Hip Hop classics played by most DJs (which is appreciated, by the way) he played a selection of UK Hip Hop and Wu-affiliate cuts which was a true testament to the heads in attendance who travelled from the likes of Nottingham, Wales, all the way from Sweden, and all showed their love to the man who has put UK Hip Hop on his back.

PC would then be joined by DJ Roll Blunt who rallied the fans in attendance as the opening act – Shakezpeare stormed the stage with his high-octane energy and ferocious delivery on the mic performing his set including the Bronze Nazareth produced ‘Train Of Thought’

Half an hour later Bugzy Da God comes through and keeps the momentum going. It wasn’t necessary to use this technique, but Bugzy hit the crowd with his disdain for mumble dps-2rap/trap music by performing ‘Nail In the Coffin’ which is his switch up of Common’s ‘Sweet’. That secret weapon always works. Bugzy was firing on all cylinders with requested 4th Disciple produced tracks, and just in case a few people started to rub their eyes or hide their yawns with their hands, Dom Pachino came out all blazing saddles, telling people to Wake the f- up. Terrorizing his way through his hits, most notably ‘Problem Child’, which he explains is a very personal record, and ‘Napalm’, which is a single with a sure-fire video waiting to dps-1happen from his P.R. Terrorist Vs Dom Pachino project. With the crowd reluctant to go home and even management caught up in the vibe, the 11pm curfew was thrown out the window but Dom ended the set with the track which put Killarmy on the map in the first place – Wu-Renegades.

There were a few hiccups along the way with the decks not playing certain tracks but the professionalism of the performers knew when it was time to drop killer a capella freestyles, which is the backbone to a real emcee. The crowd turnout was also less than anticipated, but maybe it was for the better. After all – like Raekwon says – this show was ‘Only Built 4 Cuban Linx’ and with that in mind Dom, Bugzy and Shakespeare performed like it was a capacity crowd in Glastonbury. That has to be respected.

Look for the coming RePPiN4U Exclusive interview with myself, Dom & Bugzy elsewhere in this blog!

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All photographs taken courtesy of KULVADER PHOTOGRAPHY